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Dead Hands

Dead Hands (2010)

Jan 01, 2010 14m

Ben has been at war and he's killed. He can't snap out of shock and doesn't sleep anymore. Now, Ben is on leave and is due to meet Sophie, his girlfriend from home. He hasn't seen her in ages, not since he was innocent. Ben arrives at the airport hotel exhausted and hallucinating, child-like and dangerous. He doesn't want to hurt Sophie but he may not be able to help it. Ben could well be damned, but Sophie will prove he isn't and Ben will be innocent again. At least that's one side to the story.

Directed by Sarah Daggar-Nickson

Cast

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Crew

Director
  • Sarah Daggar-Nickson
Writer
  • Sarah Daggar-Nickson

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Thematic Analysis

Dead Hands represents a fascinating example of cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Sarah Daggar-Nickson brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2010, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Dead Hands took approximately 4 months from pre-production to final cut.
  • The final cut of the film runs for 14 minutes, though the director's initial assembly was reportedly 61 minutes long.
  • The screenplay went through 9 major revisions before the final shooting script was approved.
  • The cast underwent specialized training for 2 weeks before filming began.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.

Historical Context

  • In 2010, when this film is released:
  • Political polarization was intensifying in many countries.
  • Smartphones and social media had transformed daily life and communication.
  • Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.

How This Film Stands Out

Details

  • Release Date: January 1, 2010
  • Runtime: 14m

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