Cast
View AllAbby Ryder Fortson
as Margaret Simon
Rachel McAdams
as Barbara Simon
Kathy Bates
as Sylvia Simon
Elle Graham
as Nancy Wheeler
Benny Safdie
as Herbert Simon
Amari Alexis Price
as Janie Loomis
Katherine Mallen Kupferer
as Gretchen Potter
Kate MacCluggage
as Mrs. Jan Wheeler
Aidan Wojtak-Hissong
as Moose Freed
Landon S. Baxter
as Evan Wheeler
Echo Kellum
as Mr. Benedict
Mia Dillon
as Mary Hutchins
Gary Houston
as Paul Hutchins
Mackenzie Joy Potter
as Mamma Bunny
Olivia Williams
as Witch
Crew
Director
- Kelly Fremon Craig
Writer
- Kelly Fremon Craig
Producer
- Julie Ansell
- Judy Blume
- Richard Sakai
- Kelly Fremon Craig
- James L. Brooks
- Amy Brooks
Reviews
CinemaSerf
The engaging Abby Ryder Fortson is on strong form here as the eponymous girl who finds herself shifted by her parents to live across the Hudson in New Jersey. Now they are an happy family: mum "Barbara" (Rachel McAdams) and dad "Herb" (Benny Safdie) that is egged on now and again by her favourite, and mischievous, grandmother "Sylvia" (Kathy Bates). New house, new school, new friends and quickly settling in, she joins a secret club with three other girls and what now ensues is a rather poignant and entertaining coming-of-age tale as the girls compete with each other for just about everything from the cute "Philip" (Zack Brooks) to which of them has their first period or wears their first bra. I suspect this may well resonate more with girls than boys, but that doesn't compromise it's potency. These girls reflect behaviour and attitudes that could almost certainly be found in most schools around any country. The introduction of her conversations with God (her parents are a non-practising Jew and Christian respectively so she's been left to be undecided on the issue) upon whom she is relying to help her avoid disaster, get the boy and vent her frustrations become more relatable as the film proceeds. It's got a little unwelcome melodrama, but Kathy Bates manages to keep that under control with a punchy series of short but impactful contributions and the whole thing is effectively kept on an even keel by an enjoyable effort from McAdams. The pacing and the writing are solid with some pithily apposite observations, and by the end I was just grateful that my hormones have long since given up the ghost!
May 24, 2023
Louisa Moore - Screen Zealots
“Are You There God? It’s Me, Margaret” is one of the first books I remember reading where I felt like the author really understood what it was like to be me. Judy Blume’s beloved book has been considered a rite of passage for many young girls, and the pressure of adapting the work for the screen had to be enormous for writer-director Kelly Fremon Craig. Thankfully, the film does the source material justice, creating a timeless coming-of-age story that brings the classic book to life.
Sixth grader Margaret (Abby Ryder Fortson) is 11 when she is unexpectedly uprooted from her life in New York City to the suburbs of New Jersey. Her mom Barbara (Rachel McAdams) and dad Herb (Benny Safdie) assure her that she will make new friends and get a fresh start at school. Margaret doesn’t want to move away from her loving grandma (Kathy Bates) either, who constantly reminds the family that she’s unhappy they’ve moved so far away. While her mom has difficulty adjusting to her new role as a homemaker, Margaret is quickly accepted by neighbor Nancy (Elle Graham) into her secret club for girls with fellow classmates Gretchen (Katherine Mallen Kupferer) and Janie (Amari Alexis Price). They meet after school to talk about the important things: boys, getting their periods, and their developing bodies.
The film stays mostly true to Blume’s original work, with a few potentially problematic things omitted and others added to build more drama. The novel heavily discusses religion, as Margaret’s mother was raised Christian and her father is Jewish, and the young girl struggles with finding a place where she belongs. Margaret prays to a god, but also asserts that she doesn’t believe in one. The film carries this theme well, and does not shy away from frank discussions about how religion divides people.
There are plenty of scenes about the ups and downs of puberty, one of the most confusing and taxing time in the life of an adolescent. The body shaming of classmate Laura (Isol Young) feels particularly relevant today, as does the instance when Margaret finally realizes that she’s become a bully herself and decides to change things.
Although I haven’t picked up the novel since I was 12 years old, certain scenes jolted the deepest recesses of my memory. Craig includes the most celebrated parts of Blume’s book, including Margaret’s major crush on neighborhood boy Moose (Aidan Wojtak-Hissong), bra shopping with mom, and perhaps the most famous of them all, “we must, we must, we must increase our bust!”
A minor criticism is that parts of the story feel rushed in favor of building a meatier history for the supporting characters. There’s a couple of new storylines that work well in the film, but sometimes it’s a tradeoff that feels unnecessary. In one of her smartest moves in dealing with the screen adaptation, Craig wisely keeps the story set in 1970, just like the original. It lends a heavy dose of nostalgia that takes you back to a time of innocence, an era without iPhones or the internet. I’m certain the film wouldn’t work as well if it took place in present day, and I’m so happy that the studio didn’t try to modernize the story. (Here’s hoping the timeless tale will still resonate with preteens today).
“Are You There God? It’s Me, Margaret” takes an enduring classic and turns it into a sweet, wholesome movie about growing up, the value of friendship, the support that comes from a loving family, and the very real struggle to find a sense of belonging in this world. It’s uplifting, perfectly cast, and accurately captures the most awkward time in a young girl’s life. In other words, it expresses the essence of Judy Blume’s most famous work.
Aug 4, 2023
badelf
If I didn't know better, I'd think this was a Neil Simon play. But I'm not a girl and in my youth I read Hardy Boys, not Judy Blume.
The movie is very well done. Abby Ryder Fortson does one helluva job with the lead role.
It's a little humorous and a little heartwarming. And I hate to give it only a 7, but it's just not my cup of tea and I didn't see anything so super creative that it deserved a higher score.
Nov 18, 2023
badelf
If I didn't know better, I'd think this was a Neil Simon play. But I'm not a girl and in my youth I read Hardy Boys, not Judy Blume.
The movie is very well done. Abby Ryder Fortson does one helluva job with the lead role.
It's a little humorous and a little heartwarming. And I hate to give it only a 7, but it's just not my cup of tea and I didn't see anything so super creative that it deserved a higher score.
Nov 18, 2023
Manuel São Bento
FULL SPOILER-FREE REVIEW @ www.firstshowing.net/2023/review-are-you-there-god-its-me-margaret-is-a-pleasant-surprise/
"ARE YOU THERE GOD? IT’S ME, MARGARET stands out as a triumph in the coming-of-age subgenre. Its refusal to shy away from sensitive subject matters, coupled with brilliant performances and a meticulously crafted script, results in a story that not only entertains with astute humor but also resonates on a deeply personal level.
It's a testament to Kelly Fremon Craig's commitment to authenticity and storytelling that transcends the boundaries of age and gender. A poignant, relatable portrayal of the complexities of adolescence, leaving a lasting impact on its audience.“
Rating: A-
Dec 22, 2023
Thematic Analysis
As a dramatic work, Are You There God? It's Me, Margaret. examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Kelly Fremon Craig brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2023, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Are You There God? It's Me, Margaret. took approximately 28 months from pre-production to final cut.
- With a budget of $30.0 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 107 minutes, though the director's initial assembly was reportedly 161 minutes long.
- The cast underwent specialized training for 2 weeks before filming began.
- The film contains approximately 1773 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2023, when this film is released:
- Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
- Climate change mitigation had become a central policy concern internationally.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Are You There God? It's Me, Margaret. shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Metropolis, which takes a more conventional approach to its subject matter, Are You There God? It's Me, Margaret. offers a fresh perspective through its innovative visual language and narrative structure.
While films like My Life Without Me and Apocalypse Now explore similar territory, Are You There God? It's Me, Margaret. stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: March 29, 2023
- Runtime: 1h 47m
- Budget: $30,000,000
- Revenue: $21,800,000
Where to Watch
