Cast
View All
Carol Channing
as Self - Host
Robert Goulet
as Self - Host / Self / Jacques Bonnard (archive footage)
Tommy Tune
as Self - Host
Harvey Fierstein
as Self - Host
Gwen Verdon
as Lola (segment "Damn Yankees") (archive footage)
Ray Walston
as Applegate (segment "Damn Yankees") (archive footage)
John McMartin
as Narrator (segment "Into the Woods") (archive footage)
Vanessa Williams
as Witch (segment "Into the Woods") (archive footage)
Laura Benanti
as Cinderella (segment "Into the Woods") (archive footage)
Jerry Orbach
as Chuck Baxter (segment "Promises, Promises") (archive footage)
Debbie Allen
as Anita (segment "West Side Story") (archive footage)
Yamil Borges
as Rosalia (segment "West Side Story") (archive footage)
Michel Bell
as Joe (segment "Show Boat") (archive footage)
Tony Roberts
as Charley (segment "How Now, Dow Jones") (archive footage)
Charlotte Jones
as Mrs. Millhauser (segment "How Now, Dow Jones") (archive footage)
Crew
Director
- Christopher A. Cohen
Writer
- Steven Hecht
Producer
- Mary Ann Donahue
- Paul Graham
Reviews
Thematic Analysis
Broadway's Lost Treasures III: The Best of The Tony Awards represents a fascinating example of Music/Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Christopher A. Cohen brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2005, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Broadway's Lost Treasures III: The Best of The Tony Awards took approximately 28 months from pre-production to final cut.
- The final cut of the film runs for 95 minutes, though the director's initial assembly was reportedly 144 minutes long.
- The screenplay went through 9 major revisions before the final shooting script was approved.
- The musical score contains over 76 unique compositions.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2005, when this film is released:
- The September 11 attacks changed global security and politics.
- Digital technology was disrupting traditional media and entertainment.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Broadway's Lost Treasures III: The Best of The Tony Awards shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Vienna Blood, which takes a more conventional approach to its subject matter, Broadway's Lost Treasures III: The Best of The Tony Awards subverts genre expectations by exploring its themes with greater nuance.
While films like Okay, José and Hasal explore similar territory, Broadway's Lost Treasures III: The Best of The Tony Awards stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: August 7, 2005
- Runtime: 1h 35m
