Cast
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Jean Porter
as Judy Gibson
John Shelton
as Dick Nichols
Ruth Donnelly
as Minerva Van Dorn
Doris Houck
as Ina Mae Sullivan
Edward Gargan
as Uncle George
Vince Barnett
as Mack Truck
Douglas Wood
as Richard Nichols Sr.
Milton Kibbee
as Jeff Parks
Charles Jordan
as Uncle Harry
Ben Welden
as Cash Monahan
Kirk Alyn
as Mel O'Brien
Norman Willis
as Santos
Stan Ross
as Henchman
Nita Bieber
as Dancer
Phil Arnold
as Benson Henchman
Crew
Director
- Arthur Dreifuss
Reviews
Thematic Analysis
Little Miss Broadway represents a fascinating example of Music/Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Arthur Dreifuss brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1947, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Little Miss Broadway took approximately 17 months from pre-production to final cut.
- The final cut of the film runs for 70 minutes, though the director's initial assembly was reportedly 91 minutes long.
- The screenplay went through 13 major revisions before the final shooting script was approved.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 2001 individual shots.
Historical Context
- In 1947, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Little Miss Broadway shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike South Park: Bigger, Longer & Uncut, which focuses more on action than character development, Little Miss Broadway subverts genre expectations by exploring its themes with greater nuance.
While films like Schultze Gets the Blues and The Harmonists explore similar territory, Little Miss Broadway stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: June 19, 1947
- Runtime: 1h 10m
