Cast
View AllNico Tarielashvili
as Fils
Lily Lavina
as Mère
Philippe Bas
as Moto Driver
Stephanie Hainque
as Une fille au bar
Mirabelle Kirkland
as Servante
Amiran Amiranashvili
as hobo
Joachim Salinger
as beggar
Emmanuel de Chauvigny
as lover
Otar Iosseliani
as Father
Narda Blanchet
as old lady
Yannick Carpentier
as serveur
Mathieu Amalric
as a drinker at bar
Mathieu Demy
as
Anne-Marie Eisenschitz
as
Fanny Gonin
as
Crew
Director
- Otar Iosseliani
Writer
- Otar Iosseliani
Producer
- Martine Marignac
Reviews
Thematic Analysis
As a dramatic work, Farewell, Home Sweet Home examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Otar Iosseliani brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1999, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Farewell, Home Sweet Home took approximately 20 months from pre-production to final cut.
- The final cut of the film runs for 118 minutes, though the director's initial assembly was reportedly 176 minutes long.
- The costume department created over 445 unique costume pieces for the production.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1999, when this film was released:
- Globalization was accelerating economic and cultural exchange.
- Digital technology was transforming the entertainment industry.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Farewell, Home Sweet Home shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The King of Comedy, which takes a more conventional approach to its subject matter, Farewell, Home Sweet Home subverts genre expectations by exploring its themes with greater nuance.
While films like The Shawshank Redemption and Harold and Maude explore similar territory, Farewell, Home Sweet Home stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 1, 1999
- Runtime: 1h 58m
