Cast
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Rossana Podestà
as Silvia
Lando Buzzanca
as Don Salvatore
Salvo Randone
as Don Clemente
Magali Noël
as Signora Bellini
Luciano Salce
as Monsignor Torelli
Silvia Dionisio
as Liliana Bellini
Mariangela Melato
as Prostitute
Wendy D'Olive
as
Pietro De Vico
as
Isabella Savona
as
Emilio Bonucci
as
Enrico Maria Salerno
as Don Calogero
Karin Schubert
as Blonde on bicycle
Katerina Lindfelt
as
Barbara Bouchet
as Signora Marchio
Crew
Director
- Marco Vicario
Writer
- Marco Vicario
Producer
- Marco Vicario
Reviews
Thematic Analysis
The Married Priest represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Marco Vicario brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1970, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Married Priest took approximately 7 months from pre-production to final cut.
- The final cut of the film runs for 98 minutes, though the director's initial assembly was reportedly 157 minutes long.
- The costume department created over 392 unique costume pieces for the production.
- The cast underwent specialized training for 4 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1970, when this film was released:
- The Watergate scandal changed public perception of political institutions.
- Disco music dominated popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Married Priest shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Real Men Don't Eat Gummi Bears, which takes a more conventional approach to its subject matter, The Married Priest subverts genre expectations by exploring its themes with greater nuance.
While films like Italian for Beginners and Big Nothing explore similar territory, The Married Priest stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: November 1, 1970
- Runtime: 1h 38m
