Cast
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Joan Crawford
as Rose-Marie
James Murray
as Jim Kenyon
House Peters
as Sergeant Malone
Creighton Hale
as Etienne Doray
Gibson Gowland
as Black Bastien
George Cooper
as Fuzzy
Lionel Belmore
as Henri Duray
William Orlamond
as Emile La Flamme
Polly Moran
as Lady Jane
Harry Gribbon
as Trooper Gray
Gertrude Astor
as Wanda
Ralph Yearsley
as Jean
Sven Hugo Borg
as Hudson
Crew
Director
- Lucien Hubbard
Writer
- Lucien Hubbard
Reviews
Thematic Analysis
As a dramatic work, Rose-Marie examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Lucien Hubbard brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1928, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Rose-Marie took approximately 34 months from pre-production to final cut.
- The final cut of the film runs for 70 minutes, though the director's initial assembly was reportedly 91 minutes long.
- The film contains approximately 856 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1928, when this film was released:
- Television was becoming a dominant form of home entertainment.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Rose-Marie shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Spy, which takes a more conventional approach to its subject matter, Rose-Marie offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Tower of Lies and Tarnish explore similar territory, Rose-Marie stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 11, 1928
- Runtime: 1h 10m
