Cast
View AllSaoirse Ronan
as Mary Stuart
Margot Robbie
as Queen Elizabeth I
Jack Lowden
as Henry Darnley
Joe Alwyn
as Robert Dudley
David Tennant
as John Knox
Guy Pearce
as William Cecil
Gemma Chan
as Bess of Hardwick
Martin Compston
as Earl of Bothwell
Ismael Cruz Cordova
as David Rizzio
Brendan Coyle
as Earl of Lennox
Ian Hart
as Lord Maitland
James McArdle
as James, Earl of Moray
Richard Cant
as Thomas Andrews
Guy Rhys
as Earl of Kent
Thom Petty
as Earl of Shrewsbury
Crew
Director
- Josie Rourke
Producer
- Tim Bevan
- Eric Fellner
- Debra Hayward
Reviews
Gimly
Thinking about them just in terms of their visual appearnce, Saoirse Ronan probably should have played Queen Elizabeth I instead of Mary, and Margot Robbie probably should have played Not In This Movie.
Perhaps it could have performed better, had it not come out the same year as both _Outlaw King_ and _The Favourite_, as its content lies somewhere between the two, but its quality pales to either.
_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
Feb 19, 2019
TheRealMina
This movie is complete trash.
Watch only if you want modern politics shoved down your throat.
The movie focuses more on LGBT rights then events related to the setting the movie takes place.
Poor casting choices, horrible acting from A-list actors and low budget sets.
Not worth streaming. Not worth pirating. Not worthing Seeding.
Not worth the popcorn.
Jun 7, 2019
John Chard
We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown.
Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution.
Directed by Josie Rourke and written by Bau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog.
The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becomming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10
Apr 5, 2020
John Chard
We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown.
Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution.
Directed by Josie Rourke and written by Beau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog.
The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becoming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10
Apr 5, 2020
CinemaSerf
Unfortunately there are just too many flaws in this depiction of the life of Mary Stuart to itemise. The writing rather clumsily imposes a 21st century slant on 16th century Scottish history and seems more bent on imposing the morals and opinions of the former on the times and scenarios of the latter. Neither principal performance is particularly engaging; and Jack Lowden and Joe Alwyn are frankly hopeless as the sexually ambiguous "Darnley" and "Leicester" respectively. The Oscar nominations for Make-up and Costume are certainly well deserved, but really do epitomise the style-over-substance emphasis of this weak adaptation of one of history's greatest rivalries.
Mar 27, 2022
GenerationofSwine
Well, I guess the good new is that you don't have to worry at all. It is not historically accurate, and by that I mean it falls under the title of "revisionist." Normally I don't care if a film is historically accurate, I understand it is Hollywood...but I do care if it is a total re-write of history.
This is a rewrite, it is so far from accurate that it is a clear attempt to change people's knoweldge of the historical figures and the era.
But, the good news is that where is lacks in historical correctness it more than makes up for in political correctness. And that might be at the route of why it veers so far from depicting actual real life events. It's focus was elsewhere, it's focus was on appeasing the people that support censorship and wish nothing more than to revise history to suit their political agenda.
But, the good news is that they do a great job of breaking down a tense political and religious struggle to sex.. sex... sex, which seems to be the real driving force behind man characters in the film, forsaking what would have otherwise been an interesting and story of political intrigue
Jan 12, 2023
Thematic Analysis
As a dramatic work, Mary Queen of Scots examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Josie Rourke brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2018, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Mary Queen of Scots took approximately 28 months from pre-production to final cut.
- With a budget of $25.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 124 minutes, though the director's initial assembly was reportedly 173 minutes long.
- The film contains approximately 1975 individual shots.
- The costume department created over 285 unique costume pieces for the production.
- The cast underwent specialized training for 8 weeks before filming began.
Historical Context
- In 2018, when this film is released:
- Smartphones and social media had transformed daily life and communication.
- Streaming services were revolutionizing film and television consumption.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Mary Queen of Scots shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Baian the Assassin, which focuses more on action than character development, Mary Queen of Scots offers a fresh perspective through its innovative visual language and narrative structure.
While films like Tomorrow's Dining Table and Candyman explore similar territory, Mary Queen of Scots stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 7, 2018
- Runtime: 2h 4m
- Budget: $25,000,000
- Revenue: $46,712,809