Cast
View AllColeman Hawkins
as Himself
Roy Eldridge
as Himself
Cozy Cole
as Himself
Milt Hinton
as Himself
Johnny Guarnieri
as Himself
Carol Stevens
as Herself
Barry Galbraith
as Himself
William D. Williams
as Narrator (voice)
Meredith Gaynes
as Cigarette Girl
Albert Minns
as Head Waiter
Leon James
as Doorman
Richard Blackmarr
as Bartender
Crew
Director
- Shepard Traube
Writer
- Arthur Small
Producer
- Shepard Traube
- Arthur Small
Reviews
Thematic Analysis
After Hours represents a fascinating example of Documentary/Music cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Shepard Traube brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1961, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of After Hours took approximately 16 months from pre-production to final cut.
- The final cut of the film runs for 27 minutes, though the director's initial assembly was reportedly 85 minutes long.
- The costume department created over 335 unique costume pieces for the production.
- Some visual effects sequences took up to 12 months to complete.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1961, when this film was released:
- The Vietnam War was becoming increasingly controversial.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While After Hours shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Snookles, which takes a more conventional approach to its subject matter, After Hours subverts genre expectations by exploring its themes with greater nuance.
While films like The Dream Is Alive and H.P. Lovecraft - Ipotesi di un viaggio in Italia explore similar territory, After Hours stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 1, 1961
- Runtime: 27m
