Cast
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Bob Dylan
as Self
B.B. King
as Self
Cher
as Self
David Bowie
as Self
Paul McCartney
as Self
Tina Turner
as Self
Elton John
as Self
Teddy Pendergrass
as Self
Eric Clapton
as Self
Lionel Richie
as Self
Joan Baez
as Self
Grace Slick
as Self
Bob Geldof
as Self
Elvis Costello
as Self
Phil Collins
as Self
Crew
Director
- Kenneth Shapiro
- Vincent Scarza
Producer
- Hal Uplinger
Reviews
Thematic Analysis
Live Aid represents a fascinating example of Music/Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Kenneth Shapiro brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1985, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Live Aid took approximately 7 months from pre-production to final cut.
- The final cut of the film runs for 960 minutes, though the director's initial assembly was reportedly 1001 minutes long.
- The musical score contains over 54 unique compositions.
- Some visual effects sequences took up to 11 months to complete.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1985, when this film was released:
- MTV launched, changing how music was marketed and consumed.
- The Cold War was entering its final phase.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Live Aid shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Beyond LIVE – Stray Kids 2nd World Tour “MANIAC” in SEOUL, which focuses more on action than character development, Live Aid offers a fresh perspective through its innovative visual language and narrative structure.
While films like BTS 4th Muster: Happy Ever After and Harry Styles - One Night Only in New York explore similar territory, Live Aid stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: July 13, 1985
- Runtime: 16h
- Revenue: $150,000,000
