Cast
View AllPatricia Clarkson
as Kim
Erik Per Sullivan
as Miles
Jake Weber
as George
John Speredakos
as Otis
Christopher Wynkoop
as Sheriff Tom Hale
Lloyd Oxendine
as Elder
Brian Delate
as Everett
Daniel Stewart Sherman
as Billy
Jennifer Wiltsie
as Martha
Maxx Stratton
as Brandon
Richard Stratton
as Earl
Susan Pellegrino
as Nurse
Jack Fessenden
as Young Miles
Crew
Director
- Larry Fessenden
Producer
- Jeffrey Kusama-Hinte
Reviews
Wuchak
**_An "angry" spirit haunts the Catskills_**
A couple from New York City take a weekend trip to the Catskills in the middle of winter where a local hunter takes a disliking to the husband (Jake Weber). Meanwhile the couple's son becomes increasingly concerned about their environment and a Native American legend -- the Wendigo, an angry spirit that can manifest as man, beast, tree or wind.
"Wendigo" (2001) is not a conventional creature feature so if you're looking for a typical monster flick look elsewhere. The movie has a slow build-up filled with mundane drama, which some have criticized. Yet this is reminiscent of films like "The Birds," where the main characters and a sense of realism are well established before things get going.
"Wendigo" is a mood piece more than anything else. The mysteriousness of the lonely Catskill woods is evoked along with a sense of wonder and fear of the unknown. It's a vibe more akin to "The Mothman Prophecies" than "Ogre."
Like "The Mothman Prophecies," "Wendigo" is somehow a pleasure just to watch (as long as you're not psyched-up for a monster-slasher flick). There's a quiet style and expertise to the filmmaking that smacks of professionalism.
Patricia Clarkson is effective as the wife/mother and little Erik Per Sullivan is excellent as the son, Miles.
Interestingly, none of the special effects were done with CGI, but rather cinematic techniques, costumes, make-up and creative editing. It works for me.
The film leaves the viewer somewhat scratching his/her head with its ambiguity. What conjured up the Wendigo? What's its purpose? How exactly does it "devour" people with its unquenchable hunger? Etc. Obviously, if you like everything spelled out for you and don't like banging your head, this is not the film for you.
The film runs 1 hour, 31 minutes, and was shot in the Catskills, NY.
GRADE: B+/A-
POSSIBLE EXPLANATION (***SPOILER*** Don't read further if you haven't seen the film)
Children are more sensitive to the spiritual realm because they haven't yet built up years of intellectual blockades along with social conditioning. It's clear that Miles senses malevolent creatures or spirits around him, which is why he and his mother check the closet and underneath the bed before he goes to sleep.
The Wendigo is a spirit and can only manifest in the physical realm through an agent who releases the spirit through BELIEF. The Wendigo souvenir plays a role in the Wendigo's manifestation because it was created by someone who BELIEVED in the Wendigo; it's in essence an article of worship and, in a sense, an idol. Hence, the Wendigo is attracted to the figure, which can inspire BELIEF in certain individuals, like Miles.
The ghostly American Indian in the souvenir shop is obviously the Wendigo in human form. He's attracted to Miles because he senses belief and therefore guides the boy to the Wendigo figure and explains the "legend." He says, "No one believes in spirits anymore," but after sharing the story of the Wendigo he asks the boy if he believes, to which Miles responds, "I guess so." This wasn't much, but it was all the Wendigo needed. The boy gets his mother to purchase the statue and thus the Wendigo is released into the physical realm to devour human prey.
The Wendigo is an evil spirit and therefore a liar. In Indian form he claims that such spirits are not "bad" just "angry." In other words, he makes excuses for his malevolent actions. Our prisons are full of people who do the same thing.
Once released, the Wendigo immediately inspires Otis to shoot the husband and, later, kill the cop. The Wendigo then goes after the very person he used, Otis, which shows that evil spirits will readily use you if you're willing and then lose you. Why didn't the Wendigo provoke someone else? Because evil spirits can only utilize those who are ALREADY given over to the dark side of their natures. The film shows that Otis was already an arrogant SOB and potential psycho. He doesn't go "over the edge" until AFTER the Wendigo is released.
If you're wondering why the Wendigo required belief to manifest in the physical realm, just think about it: It's the same way with God. The bible says that "without faith it is impossible to please God." Faith is the key that activates God on our behalf, answers prayer, heals and "moves mountains." Why would we think it's any different with spirit beings who aren't benign? The difference is that when they are released through belief they cause havoc and destruction rather than blessing.
Dec 7, 2022
GeekyRedhead
Be advised: This Is Not A Horror Film
I have no idea why they decided to market it that way, or even to name it "Wendigo" when the legend really isn't what the film is about, but merely a story the boy hears and takes to heart.
I did like this movie, surprisingly, being that nothing really happens until the last 10 or 15 mins. But it's got some fine performances all around. The story has some holes in it, but I guess they all do at some level. It's just a good drama about a family that goes upstate (NY) for a snowy weekend getaway and runs into some gun-happy yahoos in a decidedly unpleasant circumstance.
It flows from there, the formula being 'city folk agitate locals', which never ends well, this being no exception. Just go into it knowing it's a simple drama and you won't be disappointed.
Dec 14, 2023
Thematic Analysis
This Horror/Drama/Thriller film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. Wendigo presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Larry Fessenden brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2002, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Wendigo took approximately 34 months from pre-production to final cut.
- The final cut of the film runs for 91 minutes, though the director's initial assembly was reportedly 134 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 1104 individual shots.
- The cast underwent specialized training for 6 weeks before filming began.
Historical Context
- In 2002, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Wendigo shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Kalifornia, which takes a more conventional approach to its subject matter, Wendigo subverts genre expectations by exploring its themes with greater nuance.
While films like The Unbearable Lightness of Being and The Invisible Man explore similar territory, Wendigo stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: February 15, 2002
- Runtime: 1h 31m
Where to Watch




