Cast
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Michel Aumont
as Mongicourt
Yves Gasc
as Mr Petypon
Catherine Samie
as La Môme Crevette
Jean Le Poulain
as le Général Petypon du Grêlé
Denise Gence
as Mme Petypon
Michel Duchaussoy
as Etienne
Claude Winter
as Mme Tournois
Geneviève Casile
as La Baronne
Jacques Sereys
as Varlin
Annie Ducaux
as La Duchesse de Valmonte
Claire Vernet
as Madame Virette
Nicolas Silberg
as un Balayeur - Guérissac
Simon Eine
as Chamerot
Catherine Ferran
as Mme Ponant
Bernard Dhéran
as Marollier
Crew
Director
- Pierre Badel
- Jean-Paul Roussillon
Writer
- Georges Feydeau
Reviews
Thematic Analysis
La Dame de chez Maxim represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Pierre Badel brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1981, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of La Dame de chez Maxim took approximately 20 months from pre-production to final cut.
- The costume department created over 447 unique costume pieces for the production.
- The film contains approximately 1138 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1981, when this film was released:
- MTV launched, changing how music was marketed and consumed.
- The Cold War was entering its final phase.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While La Dame de chez Maxim shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Un chapeau de paille d'italie, which takes a more conventional approach to its subject matter, La Dame de chez Maxim subverts genre expectations by exploring its themes with greater nuance.
While films like Casting and RSC Live: As You Like It explore similar territory, La Dame de chez Maxim stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: February 12, 1981
