Cast
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Keith Carradine
as Nick Hart
Linda Fiorentino
as Rachel Stone
Wallace Shawn
as Oiseau
Geneviève Bujold
as Libby Valentin
Geraldine Chaplin
as Nathalie de Ville
Kevin J. O'Connor
as Hemingway
John Lone
as Bertram Stone
Charlélie Couture
as L'Evidence
Elsa Raven
as Gertrude Stein
Ali Giron
as Alice B. Toklas
Gailard Sartain
as New York Critic
Michael Wilson
as Surrealist Poet
Robert Gould
as Blackie
Antonia Dauphin
as Babette
Véronique Bellegarde
as Laurette
Crew
Director
- Alan Rudolph
Writer
- Alan Rudolph
- John Bradshaw
Producer
- David Blocker
- Carolyn Pfeiffer
Reviews
Thematic Analysis
As a dramatic work, The Moderns examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Alan Rudolph brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1988, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Moderns took approximately 19 months from pre-production to final cut.
- The final cut of the film runs for 126 minutes, though the director's initial assembly was reportedly 181 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The screenplay went through 10 major revisions before the final shooting script was approved.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1988, when this film was released:
- Personal computers were beginning to transform homes and workplaces.
- MTV launched, changing how music was marketed and consumed.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Moderns shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Fireheart, which takes a more conventional approach to its subject matter, The Moderns offers a fresh perspective through its innovative visual language and narrative structure.
While films like A Little Romance and The Tin Drum explore similar territory, The Moderns stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: April 15, 1988
- Runtime: 2h 6m
