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Three Bedrooms, One Corpse: An Aurora Teagarden Mystery

Three Bedrooms, One Corpse: An Aurora Teagarden Mystery (2016)

While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.

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Directed by Lynne Stopkewich

Cast

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Crew

Director
  • Lynne Stopkewich
Writer
  • Teena Booth
Producer
  • Trevor McWhinney
  • Jamie Goehring

Reviews

Reno
7/10

**The great art theft!**

The third film in the Aurora Teagarden film series and based on the book of the same name. I think it got better now. I mean I liked previous two, but this kind of crime-mysteries I like a lot. This is by far the closely related to Aurora. Nothing like she directly involved in it, but when her mother's firm associated with the latest murder in the town, she got to step in like the previous occasions to find the truth. That gave strength to the film plot to evolve vigorously. When I say such strong word for a television film, that means for the television standards only.

She was covering for her busy mother, but it was not like any other day, because she finds a dead body in the backyard of the house she was showing for a customer. The dead woman worked for her mother. Now the question is who did it? And the motivation! From the customers to someone from the work, it could be anybody. All Aurora had a small clue, that she did not know it until the last moment. But did she catch the killer using it as a bait, and if she did so, how it all happened was unfolded in the remaining tale.

As usual the police chief was annoying. I mean not for me/viewers, but for Aurora for her enthusiasm in crime solving which he sees as an obstruction. In this, she directly associated, since she was the first to report it to the cops. So there's nothing much they could do about it, other than letting her do whatever she want, but within the legal circle.

Her effort to solve it was more to save her mother, thinking she could become a future victim or be framed for it. Unlike cops, she begins her investigation with the employees of her mother's firm. Like usual, the inquiry initiated, but it did not take her anywhere to resolve the case. Except her suspicious on the man she's been with on the day she found the body.

> ❝I'm a librarian. I have a masters degree in finding information.❞

Coming to that mystery man, he was like her new romance companion. He showed more interest to her as much she suspected him. So in the entire stretch of the narration, the romance became a distant word. Initially I was not happy that in every sequel, they had brought in the new guys as her love interest. All the above, they all had disappeared in the following film. The best part was, the romance was not given a strong preference in any of those As the viewers, we could see the connections. But it helped to build the story better. Besides, a fresh face gives a fresh perspective on whatever going on.

The art theme was nicely used. But this is the series where uncovering the crime a main priority. So whatever the smartness used to do the crime/murder, you won't witness them. Then suddenly at the end comes out the suspect, revealing the purpose of committing it. It is a television film, and it always has a happy ending. As the title says, it is Aurora's tale and she has to accomplish it. That's how her character built. It is totally understandable, but it also makes the cops useless. I would have liked her involved alongside them to do the job, rather single handily manage all the time.

The first act was good. From the basic plot, it was developed with a lot more suspenseful in the second act. Though the final act was cliché. I did not guess who was the culprit, but anybody would know how it all unfolds as it followed a basic blueprint of murder/crime mystery. Because if the probe reveals the motivation or a baitable evidence so early, then it loses nearly half the grip to keep the excitement going. This film had a decent ending, but too sudden and too quick, especially while confronting the bad guy, then it's all done. Once again all the actors were good. The director had been replaced, though she did good. I think I've said everything I wanted to, so now I'm looking forward for the next one to review.

**7/10**

Nov 29, 2017

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Thematic Analysis

As a dramatic work, Three Bedrooms, One Corpse: An Aurora Teagarden Mystery examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.

Director Lynne Stopkewich brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.

Released in 2016, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Three Bedrooms, One Corpse: An Aurora Teagarden Mystery took approximately 4 months from pre-production to final cut.
  • The final cut of the film runs for 84 minutes, though the director's initial assembly was reportedly 109 minutes long.
  • The musical score contains over 43 unique compositions.
  • The film contains approximately 1063 individual shots.
  • The screenplay went through 5 major revisions before the final shooting script was approved.

Historical Context

  • In 2016, when this film is released:
  • Climate change awareness was becoming a central global concern.
  • Smartphones and social media had transformed daily life and communication.
  • Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.

How This Film Stands Out

Details

  • Release Date: June 12, 2016
  • Runtime: 1h 24m

Where to Watch

fuboTV
Philo
Hallmark+ Amazon Channel
Hallmark+ Apple TV Channel

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