Cast
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Carlos de Gabriel
as Matías, el juez de línea
Ramón Barea
as Tomás "El Pellejo", el padre
Alicia Sánchez
as La patrona
Francisco Algora
as Metralla, el lugarteniente
Manuel Manquiña
as Don Aurelio, el párroco
Álex Angulo
as Eliseo, el alcalde
Sonia Jávaga
as Elvirita, la hija
Antonio Durán 'Morris'
as Lázaro, el carpintero
Bruto Pomeroy
as Benito, el mecánico
Carlos Lucas
as Celso, el telefonista
Juan Polanco
as Martín, el ingeniero
Fausto Talón
as Fausto, el músico
Myriam De Maeztu
as Juana, la viuda negra
Paula Soldevila
as Ramona, la piloto
Víctor Coyote
as Andrés, el piloto
Crew
Director
- Santiago Aguilar
- Luis Guridi
Reviews
Thematic Analysis
Matías, juez de línea represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Santiago Aguilar brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1996, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Matías, juez de línea took approximately 10 months from pre-production to final cut.
- The final cut of the film runs for 94 minutes, though the director's initial assembly was reportedly 140 minutes long.
- Some visual effects sequences took up to 11 months to complete.
- The film contains approximately 1917 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1996, when this film was released:
- The internet was beginning to transform communication and information access.
- Globalization was accelerating economic and cultural exchange.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Matías, juez de línea shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Brazil, which takes a more conventional approach to its subject matter, Matías, juez de línea subverts genre expectations by exploring its themes with greater nuance.
While films like Mars Attacks! and Lock, Stock and Two Smoking Barrels explore similar territory, Matías, juez de línea stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 12, 1996
- Runtime: 1h 34m
