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Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima (2007)

Sep 04, 2007 38m Documentary

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

Directed by Alberto Grifi

Cast

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Crew

Director
  • Alberto Grifi
Producer
  • Alberto Grifi

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Thematic Analysis

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Alberto Grifi brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2007, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima took approximately 35 months from pre-production to final cut.
  • The final cut of the film runs for 38 minutes, though the director's initial assembly was reportedly 72 minutes long.
  • The musical score contains over 32 unique compositions.
  • The cast underwent specialized training for 8 weeks before filming began.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.

Historical Context

  • In 2007, when this film is released:
  • The September 11 attacks changed global security and politics.
  • Digital technology was disrupting traditional media and entertainment.
  • Digital filmmaking technologies were transforming production processes and creating new opportunities.

How This Film Stands Out

While Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Night and Fog, which focuses more on action than character development, Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima offers a fresh perspective through its innovative visual language and narrative structure.

While films like Un film (autoportrait) and Hellborn explore similar territory, Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: September 4, 2007
  • Runtime: 38m

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