Cast
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Brian Donlevy
as Frank Evers
Gloria Stuart
as Anne Marvis
Douglas Fowley
as Duke Benson
Isabel Jewell
as Jeanie Benson
Stepin Fetchit
as Flash - Pullman Porter
Julius Tannen
as Dr. Borden
Warren Hymer
as Hazy
Romaine Callender
as William Edgar Simpkins
James Burke
as Doyle - Process Server
Jonathan Hale
as Mac - Train Conductor
Gloria Mitzi Carpenter
as Gertrude
Charles Lane
as Lawyer Rickert
James Adamson
as Red Cap
Oscar Apfel
as Man in Wash Room
Eddie Baker
as Motor Officer
Crew
Director
- Eugene Forde
Reviews
Thematic Analysis
As a dramatic work, 36 Hours to Kill examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Eugene Forde brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1936, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of 36 Hours to Kill took approximately 36 months from pre-production to final cut.
- The final cut of the film runs for 66 minutes, though the director's initial assembly was reportedly 111 minutes long.
- The film contains approximately 2116 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The cast underwent specialized training for 6 weeks before filming began.
Historical Context
- In 1936, when this film was released:
- Television was becoming a dominant form of home entertainment.
- Rock and roll music was revolutionizing popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While 36 Hours to Kill shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike O'Horten, which focuses more on action than character development, 36 Hours to Kill offers a fresh perspective through its innovative visual language and narrative structure.
While films like Skenäktenskap and Could We Maybe explore similar territory, 36 Hours to Kill stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: July 24, 1936
- Runtime: 1h 6m
