Cast
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Bryan Hymel
as Robert
Patrizia Ciofi
as Isabelle
John Relyea
as Bertram
Marina Poplavskaya
as Alice
Nicolas Courjal
as Alberti
David Butt Philip
as First Chevalier / Master of Ceremonies
Pablo Bemsch
as Second Chevalier/Herald
Ashley Riches
as Prince of Granada
Jihoon Kim
as Fourth chevalier/Priest
Jean-François Borras
as Raimbaut
Dušica Bijelić
as Lady-in-waiting to Isabelle
Orchestra of the Royal Opera House
as
Crew
Director
- Sue Judd
- Laurent Pelly
Writer
- Germain Delavigne
- Eugène Scribe
Reviews
Thematic Analysis
Robert le Diable represents a fascinating example of Music cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Sue Judd brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2012, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Robert le Diable took approximately 26 months from pre-production to final cut.
- The final cut of the film runs for 211 minutes, though the director's initial assembly was reportedly 250 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The musical score contains over 44 unique compositions.
- Some visual effects sequences took up to 3 months to complete.
Historical Context
- In 2012, when this film is released:
- Smartphones and social media had transformed daily life and communication.
- Climate change awareness was becoming a central global concern.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Robert le Diable shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Don Giovanni, which takes a more conventional approach to its subject matter, Robert le Diable subverts genre expectations by exploring its themes with greater nuance.
While films like The Metropolitan Opera: Aida and Tchaikovsky: Iolanta / Bartók: Bluebeard's Castle explore similar territory, Robert le Diable stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 30, 2012
- Runtime: 3h 31m
