Cast
View AllErica Hansen
as Airport Singer
Jenny Ord
as Airport Singer
Jed T. Robinson
as Elder Sniffler
Tracy Ann Evans
as Emma Phelps
Kirby Heyborne
as The R.M.
Merrill Dodge
as Brigham Phelps
Erin Robert
as Molly Spraggen
Will Swenson
as Kori Swenson
Don Ainge
as President Homer
Michael Birkeland
as Sister Porterhouse / Duey
Britani Bateman
as Kelly Powers
Julie Thayne
as Trish
Joel Tamiguchi
as Naked Ninja
Shaun Schofield
as Clayton Boy
Becky Heiss
as Jan Clayton
Crew
Director
- Kurt Hale
Writer
- John E. Moyer
- Kurt Hale
Producer
- Dave Hunter
Reviews
Thematic Analysis
The R.M. represents a fascinating example of Comedy/Family/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Kurt Hale brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2003, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The R.M. took approximately 27 months from pre-production to final cut.
- The final cut of the film runs for 101 minutes, though the director's initial assembly was reportedly 145 minutes long.
- The screenplay went through 8 major revisions before the final shooting script was approved.
- The musical score contains over 63 unique compositions.
- The cast underwent specialized training for 3 weeks before filming began.
Historical Context
- In 2003, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- Environmental concerns were becoming more mainstream.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While The R.M. shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Guys and Dolls, which focuses more on action than character development, The R.M. offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Fighting Preacher and Punch-Drunk Love explore similar territory, The R.M. stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 24, 2003
- Runtime: 1h 41m
