Cast
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Manolo Escobar
as Manolo Espinar
Ingrid Pitt
as Dorothy
Antonio Ferrandis
as Gaston Petitpoi
María Isbert
as Petra García Pérez
Manuel Alexandre
as Carlos
Luis Induni
as Padre de Dorothy
Joaquín Roa
as Romagosa - el camarero
Arturo López
as Jaime
José Orjas
as Administrador de Don Matías
Mery Leyva
as
Aida Power
as
Luis Sánchez Polack
as Caradura en la barra del bar
Vicente Roca
as Comisario
Rafael Alcántara
as
Antonio Cintado
as Preso
Crew
Director
- Ramón Torrado
Writer
- Luis Tejedor
- José Osuna
- Enrique Bariego
- José María Iglesias
- Ramón Torrado
- Tono
Producer
- Arturo González
Reviews
Thematic Analysis
Un beso en el puerto represents a fascinating example of Comedy/Music cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Ramón Torrado brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1966, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Un beso en el puerto took approximately 4 months from pre-production to final cut.
- The musical score contains over 47 unique compositions.
- The cast underwent specialized training for 5 weeks before filming began.
- The costume department created over 231 unique costume pieces for the production.
Historical Context
- In 1966, when this film was released:
- The space race between the USSR and USA was at its height.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Un beso en el puerto shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Lou Reed: Transformer & Live at Montreux 2000, which takes a more conventional approach to its subject matter, Un beso en el puerto subverts genre expectations by exploring its themes with greater nuance.
While films like Walking on Sunshine and The Best Little Whorehouse in Texas explore similar territory, Un beso en el puerto stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: May 19, 1966
