Cast
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Crew
Director
- Michael Orrom
Writer
- Paul Le Saux
- Montagu Slater
Producer
- Edgar Anstey
Reviews
Thematic Analysis
Dodging the Column represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Michael Orrom brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1952, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Dodging the Column took approximately 36 months from pre-production to final cut.
- The final cut of the film runs for 10 minutes, though the director's initial assembly was reportedly 54 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 1617 individual shots.
- The screenplay went through 11 major revisions before the final shooting script was approved.
Historical Context
- In 1952, when this film was released:
- The civil rights movement was gaining momentum in the United States.
- The Cold War was intensifying, influencing global politics and culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
Details
- Release Date: January 2, 1952
- Runtime: 10m