Cast
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Vladimir Lenin
as Self
Leon Trotsky
as Self
Vladimir Bonch-Bruyevich
as Self
Yakov Sverdlov
as Self
Jukums Vācietis
as Self
Anatoli Lunacharsky
as Self
Georgi Chicherin
as Self
Lev M. Karakhan
as Self
Yuri Steklov
as Self
Karl Radek
as Self
Semen Sereda
as Self
Pēteris Stučka
as Self
Alexander Tsiurupa
as Self
Alexei Rykov
as Self
Alexander Shliapnikov
as Self
Crew
Director
- Dziga Vertov
Reviews
Thematic Analysis
The Brain of Soviet Russia represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Dziga Vertov brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1919, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Brain of Soviet Russia took approximately 17 months from pre-production to final cut.
- The final cut of the film runs for 14 minutes, though the director's initial assembly was reportedly 57 minutes long.
- The screenplay went through 7 major revisions before the final shooting script was approved.
- The musical score contains over 53 unique compositions.
- The film contains approximately 1887 individual shots.
Historical Context
- In 1919, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Brain of Soviet Russia shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Theory and Practice: Conversations with Noam Chomsky and Howard Zinn, which focuses more on action than character development, The Brain of Soviet Russia subverts genre expectations by exploring its themes with greater nuance.
While films like Meet the Trumps: From Immigrant to President and George Carlin: Life Is Worth Losing explore similar territory, The Brain of Soviet Russia stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: April 30, 1919
- Runtime: 14m
