Cast
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Phylicia Rashād
as Dr. Marion Hale (Psychiatrist)
Sheila McCarthy
as Jenny
Nicky Guadagni
as The Neurologist
Stephen Lang
as Michael
Roger Rees
as Robin Banks (Hypnotist)
Michael Riley
as Dr. Nick Galler
Bernard Behrens
as Dr. Jerry
Cecilley Carroll
as Allyson
Vernon Chapman
as The Priest
Richard Chevolleau
as David
Tracey Cook
as Sheila
Diane D'Aquila
as Charlotte
Don Francks
as Marcel
Ryan Gifford
as Young Michael
Linda Goranson
as Helene
Crew
Director
- Michael Kennedy
Writer
- Ronald Parker
Producer
- Jonathan Hackett
Reviews
Thematic Analysis
This Horror/Drama/Thriller/TV Movie film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Possession of Michael D. presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Michael Kennedy brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1995, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Possession of Michael D. took approximately 36 months from pre-production to final cut.
- The final cut of the film runs for 105 minutes, though the director's initial assembly was reportedly 143 minutes long.
- The musical score contains over 65 unique compositions.
- The film contains approximately 1594 individual shots.
- The costume department created over 345 unique costume pieces for the production.
Historical Context
- In 1995, when this film was released:
- Digital technology was transforming the entertainment industry.
- Globalization was accelerating economic and cultural exchange.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Possession of Michael D. shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Call, which takes a more conventional approach to its subject matter, The Possession of Michael D. offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Exorcist and The Order explore similar territory, The Possession of Michael D. stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: May 2, 1995
- Runtime: 1h 45m
