Cast
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Crew
Director
- Joel Bergvall
- Simon Sandquist
Producer
- Doug Davison
- Guy East
- Roy Lee
- Bob Yari
- Nigel Sinclair
Reviews
JPV852
Pretty boring movie for the first hour before things, albeit briefly got a little interesting, then just became a bit too ridiculous (also was on the predictable side). I will say, at least Lee Pace was decent and Sarah Michelle Gellar was okay I guess. But this remake of a 2002 South Korean film fell flat even with a short 85-minute running time. Honestly, probably would've played better as "Twilight Zone" episode than feature film. **1.75/5**
Jul 26, 2020
Thematic Analysis
Possession represents a fascinating example of Mystery/Thriller cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Joel Bergvall brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2009, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Possession took approximately 18 months from pre-production to final cut.
- The final cut of the film runs for 86 minutes, though the director's initial assembly was reportedly 115 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The costume department created over 182 unique costume pieces for the production.
- The film contains approximately 2105 individual shots.
Historical Context
- In 2009, when this film is released:
- Environmental concerns were becoming more mainstream.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Possession shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Poseidon, which takes a more conventional approach to its subject matter, Possession offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Fog and The Omen explore similar territory, Possession stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
