Cast
View AllDarren McGavin
as Carl Kolchak
Jo Ann Pflug
as Louise Harper
Simon Oakland
as Tony Vincenzo
Scott Brady
as Capt. Schubert
Wally Cox
as Mr. Berry
Margaret Hamilton
as Prof. Crabwell
Richard Anderson
as Dr. Richard Malcolm
John Carradine
as Llewellyn Crossbinder
Al Lewis
as Tramp
Nina Wayne
as Charisma Beauty
Virginia Peters
as Wilma Krankheimer
Kate Murtagh
as Janie Watkins
Ivor Francis
as Dr. Webb
Diane Shalet
as Joyce Gabriel
Anne Randall
as Policewoman Sheila
Crew
Director
- Dan Curtis
Writer
- Richard Matheson
Producer
- Dan Curtis
Reviews
John Chard
I just saw your "so-called killer" wipe up the street with your so-called police force!
After the success the previous year of The Night Stalker, Carl Kolchak (Darren McGavin) returns for another feature film. The intrepid reporter with a quip on the lips and a disdain for the unbelievers in the suit wearing echelons, is now in Seattle and quickly realises that the current spate of killings are more than just the work of a serial killer. But can he convince the authorities of this?
The formula is exactly the same here, Kolchak simultaneously locks horns with his editor and all the law enforcement people in his arc. He does a voice over for us, proves to be clearly better than the law officers in charge of the case, drops sarcasm as pearls of wisdom, and of course has charisma in abundance. The difference here is that the villain, elegantly played by Richard Anderson, has a voice, a sort of Count Dracula for the modern setting, a Eugene Tooms in embryonic form, he's a great villain and this in turn gives Kolchack more to get his teeth into. Of course the ending is never in doubt, but there's a whole bunch of fun and 70s style scares to enjoy during the ride.
Joining the ever enjoyable McGavin are Jo Ann Pflug, Simon Oakland (again great foil for McGavin), Scott Brady, Wally Cox, Margaret Hamilton and John Carradine. A TV series would follow, such was the popularity of the character and its monster of the week formula, and it would influence none other than The X-Files some years down the line. Kolchack, legacy earned and warranted. 7.5/10
Jul 28, 2015
Wuchak
Every 21 years a formidable strangler is on the loose in Seattle
RELEASED TO TV IN EARLY 1973 and directed by Dan Curtis, "The Night Strangler" chronicles events in Seattle when the strangled bodies of several young women are found. Intrepid reporter Carl Kolchak (Darren McGavin) discovers that the same kinds of murders occur every 21 years dating back to the late 1800s. Simon Oakland plays Kolchak’s bellowing boss while Jo Ann Pflug appears as a genial belly dancer who assists Carl. Scott Brady plays the police captain while Wally Cox is on hand as a helpful scribe. Richard Anderson has a key role.
“The Night Strangler” was the follow-up to the highly successful “The Night Stalker” (1972) and led to a series that ran for one season from 1974-1975 (20 episodes), not to mention numerous Kolchak books. The two pilot movies are the best of the batch and established the template (formula) for the series and books.
Like the first film, there’s a lot of intrigue, action, ravishing women, horror and suspense, plus a percussion-oriented jazzy score that’s even better. “The Night Strangler” adds a little effective comedy and the antagonist is more complicated. The underground lair is mysterious and the mummified family is creepy, but the details of the alchemist’s elixir and strategy seem contrived.
It’s good to have Kolchak team-up with someone (cutie Pflug), which rarely happens in the ensuing series, but it was welcome when it did (“The Energy Eater” and “Demon in Lace”). There are a few peripheral beauties (Regina Parton, Nina Wayne and Francoise Birnheim), which the rest of the series mostly lacked, except for the debut episode, “The Ripper,” and "The Werewolf."
Since this is a TV flick from the early 70s don’t expect much gore.
THE MOVIE RUNS 90 minutes (with the original TV release more streamlined at 74 minutes) and was shot in Seattle and the Bradbury Building in downtown, Los Angeles, with studio work done at 20th Century Fox Studios. WRITER: Richard Matheson (teleplay) & Jeffrey Grant Rice (characters & formula).
GRADE: B+
Apr 25, 2018
Thematic Analysis
This TV Movie/Horror/Mystery/Crime film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Night Strangler presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Dan Curtis brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1973, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Night Strangler took approximately 13 months from pre-production to final cut.
- The final cut of the film runs for 90 minutes, though the director's initial assembly was reportedly 126 minutes long.
- The musical score contains over 46 unique compositions.
- Some visual effects sequences took up to 5 months to complete.
- The screenplay went through 5 major revisions before the final shooting script was approved.
Historical Context
- In 1973, when this film was released:
- Disco music dominated popular culture.
- Economic recession and oil crises were affecting global economies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Night Strangler shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Beverly Hills Cop II, which takes a more conventional approach to its subject matter, The Night Strangler offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Monk and Three's a Crowd explore similar territory, The Night Strangler stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 16, 1973
- Runtime: 1h 30m