Cast
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Pierre Renoir
as Dominique Airelle
Françoise Christophe
as Françoise
Guy Decomble
as Pascaud
Jean Parédès
as Étienne
André Gabriello
as Vincent
Jacques Fath
as Thierry
Christiane Barry
as Jacqueline
Agnès Laury
as Monique
René Alié
as Le Sud-Américain
Jacqueline Carlier
as Yvonne
Annette Delattre
as Lise
José Casa
as Le commissaire
Roger Rafal
as Le juge d'instruction
Françoise Morens
as
Janine Miller
as
Crew
Director
- Roger Blanc
Writer
- Jacques Celhay
Reviews
Thematic Analysis
Scandal on the Champs-Élysées represents a fascinating example of Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Roger Blanc brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1949, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Scandal on the Champs-Élysées took approximately 3 months from pre-production to final cut.
- The final cut of the film runs for 95 minutes, though the director's initial assembly was reportedly 119 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 499 unique costume pieces for the production.
- Some visual effects sequences took up to 5 months to complete.
Historical Context
- In 1949, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- Rock and roll music was revolutionizing popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Scandal on the Champs-Élysées shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Godfather, which focuses more on action than character development, Scandal on the Champs-Élysées subverts genre expectations by exploring its themes with greater nuance.
While films like The Godfather Part II and The Killing explore similar territory, Scandal on the Champs-Élysées stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 22, 1949
- Runtime: 1h 35m
