The Mummy's Hand

The Mummy's Hand

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The tomb of a thousand terrors!

Director: Christy Cabanne

Producer: Ben Pivar

A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.

67 min Rating: 5.723/10 Released
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Top Cast

Dick Foran
Dick Foran
Steve Banning
Peggy Moran
Peggy Moran
Marta Solvani
Wallace Ford
Wallace Ford
Babe Jenson
Eduardo Ciannelli
Eduardo Ciannelli
The High Priest
George Zucco
George Zucco
Professor Andoheb
Cecil Kellaway
Cecil Kellaway
The Great Solvani

Movie Info

Director: Christy Cabanne

Producer: Ben Pivar

Production Companies: Universal Pictures

Countries: United States of America

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User Reviews

What Others Said

Ack: Not a bad movie for a rainy Saturday afternoon. It's a little serious and a little bit fun. Keep an open mind and realize this isn't a million dollar production and it can be very enjoyable.
CinemaSerf: Ultimately, this spawned three sequels that develop the tales of "Kharis" (this time Tom Tyler) as he is raised from his perpetual living death to reconcile with his "Princess Ananka". By far the best of them, this film starts off with Dick Foran ("Steve Banning) and Wallace Ford ("Babe Johnson") as two hapless archaeologists who accidentally discover and defile the tomb of "Kharis" who, together with his menacing, megalomanic High Priest "Andoheb" (George Zucco) are not best pleased. Revived by his potent elixir of Tan leaves, the mummy sets off to wreak vengeance on his desecrators - and, of course, to find his long lost gal whom he hopes will buy into his new "been in a terrible fire/hospital" look. The production is a bit basic - there is plenty of repetitive use of the same shots but the cast/writing in this are quite decent - Cecil Kellaway and Eduardo Cianelli are quite effective at keeping the story moving along between strangulations and it's got quite a good conclusion too. No relation to Karloff's 1932 version, but still quite an enjoyable development go the them that I rather enjoyed.