Cast
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Jean Sorel
as Dr. George Dumurrier
Marisa Mell
as Susan Dumurrier / Monica Weston
Elsa Martinelli
as Jane Bleeker
Alberto de Mendoza
as Henry Dumurrier
John Ireland
as Inspector Wald
Riccardo Cucciolla
as Benjamin Wormser
Franco Balducci
as Officer Loveday
Bill Vanders
as Insurance Agent
Giuseppe Addobbati
as Brent
Félix Dafauce
as Royal Insurance Official
Jesús Puente
as Sergeant Rodriguez
George Rigaud
as Arthur Mitchell
Jean Sobieski
as Larry
Faith Domergue
as Marta
Lucio Fulci
as Graphologist
Crew
Director
- Lucio Fulci
Producer
- Edmondo Amati
Reviews
Thematic Analysis
One on Top of the Other represents a fascinating example of Mystery/Thriller cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Lucio Fulci brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1969, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of One on Top of the Other took approximately 34 months from pre-production to final cut.
- The final cut of the film runs for 108 minutes, though the director's initial assembly was reportedly 153 minutes long.
- Some visual effects sequences took up to 6 months to complete.
- The costume department created over 177 unique costume pieces for the production.
- The musical score contains over 36 unique compositions.
Historical Context
- In 1969, when this film was released:
- Counterculture movements were challenging traditional values.
- The space race between the USSR and USA was at its height.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While One on Top of the Other shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Man Who Burnt His Corpse, which takes a more conventional approach to its subject matter, One on Top of the Other offers a fresh perspective through its innovative visual language and narrative structure.
While films like Mad Max 2 and Mad Max explore similar territory, One on Top of the Other stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: August 15, 1969
- Runtime: 1h 48m
Where to Watch
