Cast
View AllCassidy Gifford
as Cassidy
Ryan Shoos
as Ryan
Pfeifer Brown
as Pfeifer
Reese Mishler
as Reese
Price T. Morgan
as Stage Boy
Mackie Burt
as Cheerleader #1
Travis Cluff
as Mr. Schwendiman
Melissa Bratton
as Pfeifer's Mom
Theo Burkhardt
as Rick Houser
David Herrera
as David the Janitor
Alexa Benson
as Drama Student
Rebecca Dowty
as Parent of the Nerd
Nathan Healy
as Soda Drinking Coach
Crew
Director
- Travis Cluff
- Chris Lofing
Writer
- Chris Lofing
- Travis Cluff
Producer
- Jason Blum
- Dean Schnider
- Chris Lofing
- Travis Cluff
- Benjamin Forkner
- Guymon Casady
Reviews
Reno
**A night before the play!**
It is my personal opinion that I did not find the film any good. There's nothing new in it. Even those who haven't seen many films could name a couple of similar films. The best ones. The worst part was, in horror films, ten guys go in and only one comes out. Sometimes none. The found-footage presentation was okay for such concept. The film was short and one day event based. Most of the story was on the night in an auditorium. The initial part had fair space to kick-start the tale with a simple intro. And then the following event did not stay up to the buildup.
The basic storyline itself was very weak. The characters, and their behaviours, all easily gives out the upcoming scenes. So predictable, even the twist was ordinary. The way it ended was worse than ordinary. I felt the final scene with the cops was totally unnecessary. There's nothing wrong with the actors. Even filmmaking was acceptable. But I don't know how the production company okayed the screenplay. One of the low cost film, but earned better. Despite not received well by all the quarters. I would always encourage such small films, but I can't suggest it.
_2/10_
Oct 9, 2017
Gimly
A near exact replica of that _Goosebumps_ episode "Phantom of the Auditorium" both in essential plot as well as video quality/acting calibre.
_Final rating:★½: - Boring/disappointing. Avoid where possible._
Dec 18, 2019
Filipe Manuel Neto
**Predictable, unoriginal, without great qualities, but still minimally decent.**
I usually have low expectations when it comes to horror films because, in order to find a hidden gem, we have to dig through a lot of rubbish. This film, however, isn't as bad as I thought it might be: it's not original (the “Stage Fright” films are good examples of very similar material), it's not memorable, it's not perfect, it's stupidly predictable, but it entertains and creates some dramatic tension.
The story is anything but new: a high school theater group will try to stage the play in which, around twenty years earlier, a student met a tragic and stupid death because of a failure in one of the stage props. It turns out that, in these twenty years, this play has become almost cursed, saying the name of the boy who died on stage has become bad luck and the very theater where it all happened seems to be haunted. To make things even more complicated, several members of the cast are disgruntled and don't want the play to go ahead. That's how three of them decide to go to the theater at night and vandalize it. From here on, everything is prepared for the scare show that the ghost will offer us.
The film intelligently bets on “found footage” cinematography, which would be better and more credible with fewer cuts, edits and sudden transitions to night footage. I've seen several films with this style and this was the most imperfect and unpleasant. I dare say that Travis Cluff and Chris Lofing, directors and screenwriters, were happier filming than editing their work, and that this was, in part, the consequence of several failed attempts to obtain a softer parental rating. The production budget is visibly weak and there is an effort to make the most of what there is but, as a whole, the film is surprisingly effective, without complicated graphic resources or expensive effects.
The cast doesn't have any big names, but young promises trying to make their way in the tough world of entertainment. None of them seemed particularly gifted to me, but Reese Mishler and Pfeifer Brown at least tried to do something good. Ryan Shoos is simply stupid, and Cassidy Gifford is only in this film because the directors felt it necessary to include a girl with breasts big enough to widen the eyes of teenagers in the audience.
Apr 8, 2024
Thematic Analysis
This Horror/Thriller film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Gallows presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Travis Cluff brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2015, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Gallows took approximately 9 months from pre-production to final cut.
- With a budget of $0.1 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 81 minutes, though the director's initial assembly was reportedly 130 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- Some visual effects sequences took up to 9 months to complete.
- The musical score contains over 74 unique compositions.
Historical Context
- In 2015, when this film is released:
- Streaming services were revolutionizing film and television consumption.
- Smartphones and social media had transformed daily life and communication.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While The Gallows shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike A Nightmare on Elm Street Part 2: Freddy's Revenge, which focuses more on action than character development, The Gallows subverts genre expectations by exploring its themes with greater nuance.
While films like Ghost Tower: A Complete Urban Legend from Hell and Not Found 9 explore similar territory, The Gallows stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: July 9, 2015
- Runtime: 1h 21m
- Budget: $100,000
- Revenue: $42,964,410