Cast
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Basil Rathbone
as Dr. George Sebastian / Dr. Langamann
Ellen Drew
as Linda Booth
John Howard
as Gil Sawyer
Barbara Jo Allen
as Louise Watkins (as Barbara Allen [Vera Vague])
Ralph Morgan
as Dr. Charles Downer
Martin Kosleck
as Maurice Gretz
Kitty Kelly
as Winnie
Hugh O'Connell
as Lawrence Watkins
Henry Victor
as Furber (Uncredited)
Wanda McKay
as Girl at Charity Bazaar (Uncredited)
James Seay
as Intern (Uncredited)
William Benedict
as Mickey Barnes (Uncredited)
George Chandler
as Elevator Operator (Uncredited)
Edward Earle
as Librarian (Uncredited)
Chuck Hamilton
as Police Officer at Train Station (Uncredited)
Crew
Director
- Tim Whelan
Producer
- George M. Arthur
Reviews
CinemaSerf
There is something really quite sinister to Basil Rathbone's title performance in this rather intimidating psychological thriller. We know from the outset that he has disposed of his wife "Ida" - ostensibly pneumonia - but the local physician "Dr. Downer" (Ralph Morgan) is suspicious. Shortly after cleaning up on the inheritance, he moves with his friend "Maurice" (Martin Kosleck) to start afresh. Now you don't have to be Einstein to recognise that these two men are more than just roomies, and that causes a bit of consternation when "Dr. Sebastian" finds new prey. This time, in the guise of the deeply troubled "Linda" (Ellen Drew). With a marriage and a trip to Quito on the cards, might history be about to repeat itself? Well, fortunately for "Linda" reporter "Sawyer" (John Howard) is also a bit suspicious of the man, and after a bit of investigation and a chat with "Downer", the two begin to piece together quite a different persona for Rathbone than the one he has been successful peddling thus far. Can they act in time to thwart his malevolent plan? Tim Whelan allows his star to exude menace here. The script is really only adequate, but the pace is good and the gradually accumulating sense of peril - and a wonderfully seedy contribution from the increasingly envious "Maurice" leads us towards a conclusion where nothing is predictable. Actually, on that front I was a little disappointed, but all in all, this is a dark and effective tale of manipulation that is well worth a watch.
Apr 16, 2023
Thematic Analysis
The Mad Doctor represents a fascinating example of Crime/Romance/Thriller cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Tim Whelan brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1940, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Mad Doctor took approximately 13 months from pre-production to final cut.
- The final cut of the film runs for 90 minutes, though the director's initial assembly was reportedly 136 minutes long.
- The costume department created over 174 unique costume pieces for the production.
- The screenplay went through 11 major revisions before the final shooting script was approved.
- Some visual effects sequences took up to 10 months to complete.
Historical Context
- In 1940, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Mad Doctor shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Drunk Company, which focuses more on action than character development, The Mad Doctor subverts genre expectations by exploring its themes with greater nuance.
While films like Hellbound: Hellraiser II and Stalked by My Doctor: Just What the Doctor Ordered explore similar territory, The Mad Doctor stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 20, 1940
- Runtime: 1h 30m
