Backdrop preview An Innocent Man backdrop
An Innocent Man

An Innocent Man (1989)

Oct 06, 1989 1h 53m Crime Drama Thriller

Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed.

Watch Trailer
Directed by Peter Yates

Cast

View All

Crew

Director
  • Peter Yates
Producer
  • Robert W. Cort
  • Ted Field

Reviews

John Chard
7/10

That's Virgil Cane man, Lone Ranger ain't got nothing on him.

James Rainwood (Tom Selleck) is a real stand up guy, with a loving wife and in a dream job with a company that just couldn't cope without him. His life is just dandy, That is until two corrupt cops make a mistake and burst into his home believing it to be host to a drug deal. Thinking his hairdryer is a gun, one of the cops shoots Rainwood and it's then that the cops realise they have made a monumental error. So planting drugs around the home they set Rainwood up as a dealer who shot at the cops. Believing justice & honesty will see him OK, Rainwood refuses to cop a plea, and is promptly sentenced to a hell hole prison for six years. Here the affable Rainwood needs to wise up quickly or face a brutal and torrid time in the big house.

Earlier in 1989 we had seen the release of Sly Stallone vehicle Lock Up, a film, that for all its many faults, was a dream come true to the action movie fan who also has a bent for any piece involving incarceration. So up steps Tom Selleck, who after recently showing himself to be a more than effective light entertainer in films such as Three Men and a Baby and Her Alibi, is looking to break out into other, more rounded genres (he also made the quite excellent Quigley Down Under in 1989). For the most part it's a good fit for Selleck and the casting director. The role of Jimmie Rainwood calls for someone charming, elegant and reeking of pure homeliness. That's Selleck without doubt. But the problems for many observers have been, and will be for first time viewers, the transformation of homely Tom into cocksure daddio prison geezer. Thrust into a world of violence and male rape, Rainwood simply must shape up or face a few years of brutality and a stripping of his soul. We know this, and once he starts to be guided by Virgil Cane (F. Murray Abraham adding a touch of class to a stereotypical role), the film for the rest of the prison sections is sign posted for us. And it's hard to swallow, even for someone like me who is a fan of the film!

As for the other elements in the film, the various sub-plots hold few surprises. Rainwood's wife (Laila Robins) is loving and crusading for her man's release, but writer Larry Brothers has her very much by the numbers. As he does for Badja Djola's Internal Affairs investigator, John Fitzgerald. The latter of which is a real shame as Djola holds his scenes very well and is aching to put more meat into the character. Then there is of course our dirty cops played by Richard Young & David Rasche. Young's Danny Scaliese is the calm thinking one, Rasche's Mike Parnell is the aggressive and borderline psychotic one. It's hard to tell if Rasche is playing it for ham or really attempting to layer the madness lurking within? Either way, it's very entertaining, if ultimately miles away from the brilliance that was his Sledge Hammer! TV series. These cops are of course in desperate need of a fall, the question is if the makers here are merely reverting to formula or do they have some tricks up their sleeves? Well it's directed by Peter Yates and the writer is hardly an inspired scribe, so you do the maths. And lets face it, Selleck is no Stallone - a better actor for sure, but when it comes to shanking and shooting who you gonna call? Rambo or Magnum?

I do like the film a lot, but I love the genre it belongs to anyway. And I literally will watch Abraham in anything. So take my 7/10 rating purely with a pinch of salt and call it a 6/10 time filler if you not be singing of the same page as myself.

May 23, 2016

Sign in to leave a review.

Thematic Analysis

As a dramatic work, An Innocent Man examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.

Director Peter Yates brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.

Released in 1989, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of An Innocent Man took approximately 34 months from pre-production to final cut.
  • The final cut of the film runs for 113 minutes, though the director's initial assembly was reportedly 166 minutes long.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
  • The musical score contains over 42 unique compositions.
  • The cast underwent specialized training for 8 weeks before filming began.

Historical Context

  • In 1989, when this film was released:
  • Economic policies were shifting toward deregulation in many Western countries.
  • The Cold War was entering its final phase.
  • Independent cinema was growing in influence, challenging the dominance of major studios.

How This Film Stands Out

While An Innocent Man shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike The Nile Hilton Incident, which takes a more conventional approach to its subject matter, An Innocent Man subverts genre expectations by exploring its themes with greater nuance.

While films like Maria Full of Grace and The Father explore similar territory, An Innocent Man stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: October 6, 1989
  • Runtime: 1h 53m
  • Revenue: $20,047,604

Similar Movies