Cast
View AllDavid Niven
as Phileas Fogg
Cantinflas
as Passepartout
Shirley MacLaine
as Princess Aouda
Robert Newton
as Mr. Fix
Finlay Currie
as Whist Partner
Robert Morley
as Ralph
Charles Boyer
as Monsieur Gasse
Gilbert Roland
as Achmed Abdullah
Marlene Dietrich
as Saloon Hostess
Frank Sinatra
as Saloon Pianist
Buster Keaton
as Train Conductor
John Carradine
as Proctor Stamp
Peter Lorre
as Steward
George Raft
as Saloon Bouncer
Tim McCoy
as Colonel
Crew
Director
- Michael Anderson
Producer
- Mike Todd
Reviews
John Chard
Spot the cameo in 5 Oscar winning epic.
Based on the wonderful writing from Jules Verne, Around the World in Eighty Days is just shy of three hours, this was my first ever visit to the film and my reaction is mainly positive, though tempered with a small sense of unfulfillment.
Phileas Fogg takes a wager from his fellow London club members that he can't circle the globe in 80 days, this it should be noted is 1872 where transport was not of the fast and dynamic variety. Fogg and his trusty servant Passepartout, set off on a journey that brings many adventures, and many humorous scrapes. They meet a wonderful array of characters and travel on many forms of transport, it is in short a magical journey.
The production here from Mike Todd is gargantuan, the sets are incredible, the multiple locations befit the multi cast of actors that grace the film (have fun playing spot the star in this one). The costumes and the score are spot on, while Lionel Lindon's cinematography rightly won the gold award because it's lush and cloaks the delightful story with a number of treats for the eyes. David Niven is perfect as Fogg, whilst Cantinflas as Passepartout is perfect foil for Fogg's staid stiff upper lippery.
Yet in spite of it's obvious beauty the film is a touch overlong, some scenes are padded far too much when surely a shorter take would have made its mark equally enough? I was surprised by the ending being so short and sweet, yes, sure it's fitting, but after sitting through just under 3 hours of film you are not being unreasonable to expect a grand fanfare type of ending. Still, it doesn't take away from this being a good cinematic achievement. As to if it stands up to repeat viewing? I'll have to see on that one... 7.5/10
Mar 6, 2019
CinemaSerf
I so wanted to like this film. An unsurpassable cast delivering a story depicting the ultimate in compendium storytelling. What could go wrong? Well, sadly - quite a lot. David Niven is fine as the dapper sophisticate "Fogg" who along with his gentleman's gentleman of one whole day "Passepartout" (the acrobatic Cantinflas) accepts a bet from some toffs in the Reform Club that he cannot circumnavigate the world in 80 days. Steam trains, balloons, ships, camels, horses, even a paddle-steamer facilitate their travels with just about every movie star on the books joining in as our tour of the world offers us colourful and entertaining escapades from many different countries and cultures. There is a sort of chemistry between the two travellers, but they are all to often apart on screen, and sadly I thought, it is the very diversity of the stories that lets this down. It is too episodic: the narrative frequently lacks cohesion, often little better than a colourful, occasionally pithy, travelogue and even the mischievous contributions from a super Robert Newton ("Insp. Fix") who reckons "Fogg" is really an infamous bank robber, and the delightful antics of Shirley MacLaine as the "Princess Aouda" can't really redeem or sustain it. It is long, but that needn't have been a problem (at least it isn't 80 days) it's just flat, somehow - so much more could have been going on, but wasn't. To be fair, it does hot up in the last twenty minutes or so, as their quest comes to a head but that isn't enough. The technical aspects are flawless, however - particularly the photography; with the costumiers facing a sartorial Herculean task and Victor Young's score is suitably international in it's themes and well worthy of his Oscar. Maybe it just had too much time and too much money but somehow it's all a wee bit disappointing.
Jun 14, 2024
Thematic Analysis
Around the World in Eighty Days represents a fascinating example of Adventure/Comedy/Family/Fantasy/Romance cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Michael Anderson brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1956, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Around the World in Eighty Days took approximately 32 months from pre-production to final cut.
- With a budget of $6.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 182 minutes, though the director's initial assembly was reportedly 227 minutes long.
- The cast underwent specialized training for 5 weeks before filming began.
- The film contains approximately 1482 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1956, when this film was released:
- Rock and roll music was revolutionizing popular culture.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Around the World in Eighty Days shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Little Witch, which focuses more on action than character development, Around the World in Eighty Days offers a fresh perspective through its innovative visual language and narrative structure.
While films like 2001: A Space Odyssey and Talk to Her explore similar territory, Around the World in Eighty Days stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: October 17, 1956
- Runtime: 3h 2m
- Budget: $6,000,000
- Revenue: $42,000,000