Cast
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Crew
Director
- Lewis Allen
Producer
- Edward Small
Reviews
CinemaSerf
"I believe that my success is based on the fact that I have never appeared twice with the same leading lady!" Anthony Dexter is really poor in this largely fictitious biopic of screen legend Rudolph Valentino. Lewis Allen's lacklustre and wordy depiction of the latter stage lives and loves of this most iconic of actors is actually quite boring at times. He woos the fictional "Joan Carlisle" (Eleanor Parker) and most of the film follows their turbulent relationship's ups and downs with only their mutual respect and fondness for director, and her husband, "Bill King" (Richard Carlson), drawing them together without sparks - a scenario only made worse after they made one hugely successful film together. Come to think on it, Carlsen is maybe the only thing in this that comes away with any sense of credibility. It is very stage bound in presentation, and the melodrama isn't really helped by quite an intrusive score from Heinz Roemheld who seriously overdoes the violins at times. A man of his standing, with a reputation for being as ruthless as he was a Lothario, really did deserve better than this slushy mess that ends as it runs - disappointingly. Pity.
Apr 4, 2022
Thematic Analysis
As a dramatic work, Valentino examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Lewis Allen brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1951, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Valentino took approximately 26 months from pre-production to final cut.
- With a budget of $1.3 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 102 minutes, though the director's initial assembly was reportedly 151 minutes long.
- The musical score contains over 61 unique compositions.
- The costume department created over 178 unique costume pieces for the production.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1951, when this film was released:
- Television was becoming a dominant form of home entertainment.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Valentino shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike In the Name of the Father, which focuses more on action than character development, Valentino offers a fresh perspective through its innovative visual language and narrative structure.
While films like Land, Poste Restante and The Creep Behind the Camera explore similar territory, Valentino stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: March 8, 1951
- Runtime: 1h 42m
- Budget: $1,300,000
- Revenue: $1,550,000
