Cast
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María Elena Velasco
as María Nicolasa
Fernando Soler
as Don Macario
Sara García
as Doña Chonita
Pedro Infante Jr.
as Pedro Ramírez
Yolanda Ochoa
as Lupe
Rafael Inclán
as Atanasio
Polo Ortín
as Policía
Beatriz Adriana
as Irma
Gabriela de Fuentes
as Gabrielita
Marcela López Rey
as Marcela Cobián
Fernando Larrañaga
as Pablo Cobián
Carlos Agostí
as Don César de Achaval y Achaval
Gloria Jordán
as María Antonieta
Benjamín Escamilla Espinosa
as
Tomas Velasco
as
Crew
Director
- Fernando Cortés
Writer
- Damián Acosta Esparza
Producer
- Fernando de Fuentes Jr.
Reviews
Thematic Analysis
La comadrita represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Fernando Cortés brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1978, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of La comadrita took approximately 20 months from pre-production to final cut.
- The final cut of the film runs for 90 minutes, though the director's initial assembly was reportedly 147 minutes long.
- Some visual effects sequences took up to 6 months to complete.
- The cast underwent specialized training for 2 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1978, when this film was released:
- Economic recession and oil crises were affecting global economies.
- Disco music dominated popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While La comadrita shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike ¡El que no corre... vuela!, which focuses more on action than character development, La comadrita offers a fresh perspective through its innovative visual language and narrative structure.
While films like Tonta, tonta, pero no tanto and La madrecita explore similar territory, La comadrita stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: September 27, 1978
- Runtime: 1h 30m
Where to Watch
