Cast
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Paul Newman
as Rocky Graziano
Pier Angeli
as Norma Graziano
Everett Sloane
as Irving Cohen
Eileen Heckart
as Ma Barbella
Sal Mineo
as Romolo
Harold J. Stone
as Nick Barbella
Joseph Buloff
as Benny
Arch Johnson
as Heldon
Sammy White
as Whitey Bimstein
Robert P. Lieb
as D. A. Hogan
Theodore Newton
as Edward Eagan
Steve McQueen
as Fidel (uncredited)
Stanley Adams
as Romolo's Attorney (uncredited)
Fred Aldrich
as Ringside Photographer (uncredited)
Leon Alton
as Fight Spectator (uncredited)
Crew
Director
- Robert Wise
Producer
- Charles Schnee
Reviews
John Chard
Ma, I tried to turn the leaf but I can't make it. It's something inside me. I try but I can't make it.
Directed by multi genre supremo Robert Wise, the screenplay is adapted by Ernest Lehman from the Rocky Graziano biography of the same name. Music is by Bronislau Kaper and cinematography by Joseph Ruttenberg. It stars Paul Newman, Pier Angeli, Everett Sloane, Eileen Heckart and Sal Mineo.
This film really hits the spot to me as a portent of just what a great career Paul Newman was to have, not only that but it stands up as one of the better sports biographies I have seen.
Fine story as we follow Rocky Graziano (Newman) from his wild youth into a man on the verge of destroying his life and then on to becoming the World Middleweight Champion (the final fight with Tony Zale is superbly choreographed). It's weird because during Graziano's wild antics one can't help but like the guy because Newman makes the character so charming. The time he spent with the real Graziano pays off in spades as he captures his mannerisms and style impressively.
One has to wonder what sort of performance original choice James Dean would have done with the role?. A big shout up to Pier Angeli as the main Female lead as she turns in a wonderful performance in view of Newman's barn storming show. Ruttenberg won the Academy Award for his pin sharp Black-and-White cinematography, the art department won for Best Art Direction-Set Decoration, Black-and-White, while a certain Steve McQueen can be seen as one of Rocky's gang members - Fidel a knife wielding thug. 9/10
Apr 23, 2020
Thematic Analysis
As a dramatic work, Somebody Up There Likes Me examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Robert Wise brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1956, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Somebody Up There Likes Me took approximately 34 months from pre-production to final cut.
- With a budget of $1.9 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 113 minutes, though the director's initial assembly was reportedly 166 minutes long.
- The musical score contains over 47 unique compositions.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1956, when this film was released:
- Rock and roll music was revolutionizing popular culture.
- The Cold War was intensifying, influencing global politics and culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Somebody Up There Likes Me shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Forrest Gump, which focuses more on action than character development, Somebody Up There Likes Me offers a fresh perspective through its innovative visual language and narrative structure.
While films like American Beauty and The Big Black Sow explore similar territory, Somebody Up There Likes Me stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: July 4, 1956
- Runtime: 1h 53m
- Budget: $1,920,000
- Revenue: $3,360,000
