Cast
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Frédéric Deban
as Santiago Corella 'El Nani'
José Pedro Carrión
as Gálvez
Eulalia Ramón
as Lola
Chema de Miguel
as Teo
Fermí Reixach
as Richard
Albert Vidal
as Manuel Soto
Damián Velasco
as Luis Tejada
Antonio Dechent
as
Yolanda Farr
as
Pepe Soriano
as
Miguel Ángel Salomón
as Molero
Ricardo Lucía
as
Pedro Miguel Martínez
as
Manolo Guijar
as Marqués
Manuel Fadón
as Chino
Crew
Director
- Roberto Bodegas
Writer
- Vicente Escrivá
- Gregorio Roldán
Producer
- Vicente Escrivá hijo
- Antonio Martín
Reviews
Thematic Analysis
As a dramatic work, Matar al Nani examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Roberto Bodegas brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1988, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Matar al Nani took approximately 5 months from pre-production to final cut.
- The final cut of the film runs for 111 minutes, though the director's initial assembly was reportedly 168 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 161 unique costume pieces for the production.
- The musical score contains over 55 unique compositions.
Historical Context
- In 1988, when this film was released:
- Economic policies were shifting toward deregulation in many Western countries.
- The Cold War was entering its final phase.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Matar al Nani shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Billion Dollar Spy, which focuses more on action than character development, Matar al Nani subverts genre expectations by exploring its themes with greater nuance.
While films like Prayers for Bobby and Molokai: la isla maldita explore similar territory, Matar al Nani stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 22, 1988
- Runtime: 1h 51m
