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The Wasp Woman

The Wasp Woman (1959)

Oct 30, 1959 1h 1m Science Fiction Horror

The head of a major cosmetics company experiments on herself with a youth formula made from royal jelly extracted from wasps, but the formula's side effects have deadly consequences.

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Directed by Roger Corman

Cast

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Crew

Director
  • Roger Corman
Producer
  • Roger Corman

Reviews

John Chard
5/10

This Queen plans to stay young.

The Wasp Woman is directed by Jack Hill and Roger Corman and written by Leo Gordon and Kinta Zertuche. A Roger Corman production, it stars Susan Cabot, Anthony Eisley, Michael Mark and Barboura Morris. Music is by Fred Katz and photography by Harry Neumann.

Janice Starlin (Cabot) is the owner of a large cosmetics company, once a successful operation, the company is starting to lose customers who can see that Starlin is beginning to show her aged years. But hope may be at hand form scientist Eric Zinthrop (Mark), who has been experimenting with the royal jelly from a queen wasp, creating a serum that reverses the aging process. She strikes a deal with Zinthrop to fund his research as long as she can be his first human subject...

Schlockmeister Corman obviously took notice of the success of Kurt Neumann's The Fly from the previous year, for here he tries to bring us the female variant on the sci-fi mix up movie for half the budget. It marks the last time that Susan Cabot would appear in film, this also being the last of six films she made with Corman. For a low budget schlocker it's not half bad, the berserker insect/human science is good fun and there's potent thematics within involving the search for eternal youth, drug addiction and the cautionary warning about man pushing science too far. Even the effects, whilst cheap and rightly kept in the shadows for the most part, have an antiquated charm about them. If only the film wasn't so static, so ordinary, for two thirds of its relatively short running time, then this would be talked about as one of Corman's better offerings, especially since the cast are actually fine, particularly the pretty and stoic Cabot.

Most of the film is played out from the offices of a high-rise office complex, this is unusual but gives the film a little uniqueness, with Neumann and his directors managing to set the ambiance at uneasy. But it's mostly talky stuff, meaning mood is built up to the point that when the picture does shift into creature feature gear-budget restrictions mean expectations can't possibly be met; even if what little horror is in the picture is actually pretty spicy: though the makers do miss a trick because it's explained to us early in the piece that the Queen Wasp eats her mate! But Janice has no love interest here, shame that! Fred Katz's music is deliciously mad, at times sounding like Wacky Races on LSD, at others some gentle jazz beat fusion, it's in the right movie, just not used at the right times! The accompanying buzzing sound affect for a Wasp Woman attack, though, is most agreeable. Corman would use the score again for Little Shop of Horrors the following year.

Nobody, you would like to think, would be viewing The Wasp Woman expecting a sci-fi classic, but it's a frustrating watch in many ways, even to the fans of cheapo B movie schlockers. 5/10

May 23, 2014

hand2a
5/10

The SFX are so bad it goes beyond charming but they’re only present for like 5 minutes so it doesn’t matter. The rest of the film is actually pretty good or at least was better than I was expecting. Has an ace plot, though similar to The Fly admittedly, but not so similar it copies. My first Corman 2.5/5

Jan 22, 2025

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Thematic Analysis

This Science Fiction/Horror film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Wasp Woman presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.

Director Roger Corman brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1959, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of The Wasp Woman took approximately 16 months from pre-production to final cut.
  • With a budget of $0.1 million, the film represented a significant investment in bringing this story to the screen.
  • The final cut of the film runs for 61 minutes, though the director's initial assembly was reportedly 114 minutes long.
  • The film contains approximately 1631 individual shots.
  • The cast underwent specialized training for 3 weeks before filming began.
  • The costume department created over 344 unique costume pieces for the production.

Historical Context

  • In 1959, when this film was released:
  • The Cold War was intensifying, influencing global politics and culture.
  • The civil rights movement was gaining momentum in the United States.
  • The film industry was dominated by major studios, with independent cinema still in its early development.

How This Film Stands Out

While The Wasp Woman shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike The Lost Boys, which takes a more conventional approach to its subject matter, The Wasp Woman subverts genre expectations by exploring its themes with greater nuance.

While films like Rampage and New Fears Eve explore similar territory, The Wasp Woman stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: October 30, 1959
  • Runtime: 1h 1m
  • Budget: $50,000

Where to Watch

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