Cast
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Tom Skerritt
as Stoner
Max von Sydow
as Szaz
Helen Mirren
as Anna
Tom Bell
as Tulayev
Neil Dudgeon
as Vlasek
Barry Corbin
as Bentick
Clarke Peters
as Jones
Lou Hirsch
as Baetz
Kerry Shale
as Viktor
Gavan O'Herlihy
as Clancy
Shane Rimmer
as
Kenneth Nelson
as
David de Keyser
as
Boris Isarov
as
Kerry Shale
as
Crew
Director
- Geoff Murphy
Writer
- Ron Hutchinson
Producer
- John Kemeny
Reviews
Thematic Analysis
As a dramatic work, Red King, White Knight examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Geoff Murphy brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1989, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Red King, White Knight took approximately 24 months from pre-production to final cut.
- The final cut of the film runs for 86 minutes, though the director's initial assembly was reportedly 121 minutes long.
- The musical score contains over 61 unique compositions.
- The screenplay went through 12 major revisions before the final shooting script was approved.
- The cast underwent specialized training for 4 weeks before filming began.
Historical Context
- In 1989, when this film was released:
- The Cold War was entering its final phase.
- Personal computers were beginning to transform homes and workplaces.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Red King, White Knight shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Clear and Present Danger, which takes a more conventional approach to its subject matter, Red King, White Knight subverts genre expectations by exploring its themes with greater nuance.
While films like In the Line of Fire and Above the Law explore similar territory, Red King, White Knight stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: November 25, 1989
- Runtime: 1h 26m
