Cast
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Dean Reed
as Himself (archive footage)
Armin Mueller-Stahl
as Himself
Celino Bleiweiß
as Himself
Peter Boyles
as Himself (archive footage)
Egon Krenz
as Himself
Wiebke Reed
as Wiebke Reed
Nils Düwell
as Narrator (voice)
Susanne Kliemsch
as Narrator (voice)
Renate Blume
as Herself (archive footage)
Günter Reisch
as Himself
Isabel Allende Bussi
as Self
Will Roberts
as Self
Crew
Director
- Leopold Grün
Writer
- Leopold Grün
Producer
- Thomas Janze
Reviews
Thematic Analysis
The Red Elvis represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Leopold Grün brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2007, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of The Red Elvis took approximately 18 months from pre-production to final cut.
- The final cut of the film runs for 90 minutes, though the director's initial assembly was reportedly 136 minutes long.
- The cast underwent specialized training for 6 weeks before filming began.
- The musical score contains over 63 unique compositions.
- The costume department created over 266 unique costume pieces for the production.
Historical Context
- In 2007, when this film is released:
- The September 11 attacks changed global security and politics.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While The Red Elvis shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Beyond LIVE – Stray Kids 2nd World Tour “MANIAC” in SEOUL, which focuses more on action than character development, The Red Elvis subverts genre expectations by exploring its themes with greater nuance.
While films like Fahrenheit 9/11 and Spies of Mississippi explore similar territory, The Red Elvis stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 13, 2007
- Runtime: 1h 30m
