Cast
View AllSid Haig
as Captain Spaulding
Bill Moseley
as Otis B. Driftwood
Sheri Moon Zombie
as Baby Firefly
Karen Black
as Mother Firefly
Erin Daniels
as Denise Willis
Chris Hardwick
as Jerry Goldsmith
Rainn Wilson
as Bill Hudley
Jennifer Jostyn
as Mary Knowles
Tom Towles
as Lieutenant George Wydell
Walton Goggins
as Deputy Steve Naish
Matthew McGrory
as Tiny Firefly
Robert Allen Mukes
as Rufus 'RJ' Firefly Jr.
Dennis Fimple
as Grandpa Hugo Firefly
Jake McKinnon
as Rufus 'Earl' Firefly Sr.
Harrison Young
as Don Willis
Crew
Director
- Rob Zombie
Producer
- Andy Gould
Reviews
Wuchak
Rob Zombie’s comic book non-horror take on “The Texas Chainsaw Massacre”
RELEASED IN 2003 (but shot in 2000) and written/directed by Rob Zombie, "House of 1000 Corpses” is a horror/black comedy about two young couples who inadvertently visit a house of demented serial killers in backwoods Texas.
A critic summed the movie up as “a ridiculous horror comedy, but with extremely annoying villains.” It was inspired by (or rips off) “The Texas Chainsaw Massacre” (1974) and combines it with the cartoonish horror comedy of “Evil Dead II” (1987) while throwing in a little “The Funhouse” (1981).
The entire first act, including the amusing prologue that introduces Captain Spaulding (Sid Haig), is very entertaining, but the over-the-top approach starts to get dull by the middle of the picture with the overdone events at the demented Firefly abode. The last act gets so cartoonish that I thought maybe the main protagonist (Erin Daniels) was experiencing a nightmare. The fantastical elements strip away any vestige of horror that was hardly there in the first two acts, which were too zany to take as serious horror. As such, I can’t see anyone older than 7 finding this movie “disturbing.” Still, the film pulsates with colorful pizazz and characters, not to mention a quality score/soundtrack.
Sheri Moon Zombie is effective in her role as Baby Firefly. I liked her voice and didn’t mind her laugh (which many criticize), but she’s a little too thin for my tastes. Daniels works pretty well as the main protagonist. But, considering Zombie’s resources (e.g. the five captive cheerleaders), the flick sorta drops the ball in the female department.
The film sat on the shelf so long because Universal feared a NC-17 rating. Lions Gate eventually picked it up, but it was cut & edited in an attempt to achieve an R-rating. The original version was 16 minutes longer.
THE MOVIE RUNS 1 hour, 29 minutes and was shot in Southern Cal (Chicken Ranch Backlot, Universal Studios; Palmdale; Santa Clarita; and Saugus).
GRADE: B-/C+
Jun 13, 2018
Gimly
Heavy throwback elements make up most of _House of 1000 Corpses_' runtime, from an era when Zombie was still finding his footing. It maybe leans too heavily on a nostalgia that I simply don't have, but personally I found this to be one of Zombie's weaker entries. Great song! But I don't totally love the movie. I like it. I wish that some of the parts I found more interesting, like Doctor Satan, got a bit more play, and both the acting and video quality often leave something to be desired, but still, I like it.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Dec 28, 2019
Filipe Manuel Neto
**Style, blood, guts and hard rock, without any decent script to back it up.**
Rob Zombie has devoted his life to music and horror movies, but so far I haven't seen a single movie of his that's really worthwhile. The director's style is that very low-budget and low-quality horror that made school in the 70s and 80s. In truth, I must say that there is some coherence here, if we consider the musical style of Zombie's projects. However, it is a film that disgusts us, and that causes more strangeness and repudiation than fear.
In this film, we follow four teenagers who accidentally stumble into a village of abnormal people and end up intrigued by a local legend about a mad doctor who cut people up, was executed and disappeared, leaving in doubt whether he had really died. Of course, they end up in an even crazier, morbid and dysfunctional house of people, who are behind an endless series of crimes.
By my standards, this movie is so bad that it doesn't even work as a comedy. There is not a scary moment, based on a strangely bizarre script, without content. The film shows the influences of slash horror, with lots of gore, blood running everywhere and bodies torn to pieces. Cannibalism, necrophilia, sadism, if we think of depravity this film will probably have some scene associated with what we think. That, on the one hand, has a vantage point: the film is gritty enough to pull it off, in an era when horror movies are so bland that even underage kids can see them.
The cast brings together a series of actors who have become famous precisely in slash cinema: Sid Haig, Bill Moseley, Karen Black, Tom Towles, Dennis Fimple. Each one of them did their job well, they are the right actors for this type of material, they are perfectly comfortable doing this. However, Haig and Moseley are particularly effective and work very well, stealing the audience's attention whenever they appear. Sheri Moon, an actress who has a certain relevance in the film, is however an amateur, Rob Zombie's girlfriend, who entered the film at his request. Love has these things, it makes us do crazy things. Unfortunately, and as it is routine in these films, the teenage victims of the carnage are simply talking meat that we can't care less about for a minute.
The film does some pretty competent visual effects work, with gallons of fake blood and other effects designed to make the killing realistic and "fun" enough. The sets and costumes were also very well thought out and create a decadent environment, in which rurality is distorted and transformed into the perfect environment for a Halloween massacre. That is, the film has style, it has an extremely worked and complex look, but that's about it. It does not present us with content, substance that makes the film worthwhile.
Mar 14, 2023
Thematic Analysis
This Horror film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. House of 1000 Corpses presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Rob Zombie brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2003, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of House of 1000 Corpses took approximately 5 months from pre-production to final cut.
- With a budget of $7.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 89 minutes, though the director's initial assembly was reportedly 110 minutes long.
- Some visual effects sequences took up to 11 months to complete.
- The film contains approximately 1824 individual shots.
- The cast underwent specialized training for 5 weeks before filming began.
Historical Context
- In 2003, when this film is released:
- Environmental concerns were becoming more mainstream.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While House of 1000 Corpses shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Thing, which takes a more conventional approach to its subject matter, House of 1000 Corpses subverts genre expectations by exploring its themes with greater nuance.
While films like Hannibal Rising and Dead in 3 days explore similar territory, House of 1000 Corpses stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 11, 2003
- Runtime: 1h 29m
- Budget: $7,000,000
- Revenue: $17,949,758