Cast
View AllTom Hanks
as Allen Bauer
Daryl Hannah
as Madison
Eugene Levy
as Walter Kornbluth
John Candy
as Freddie Bauer
Dody Goodman
as Mrs. Stimler
Shecky Greene
as Mr. Buyrite
Richard B. Shull
as Dr. Ross
Bobby Di Cicco
as Jerry
Howard Morris
as Dr. Zidell
Tony DiBenedetto
as Tim, the Doorman
Patrick Cronin
as Michaelson
Charles Walker
as Michaelson's Partner
David Knell
as Claude
Jeff Doucette
as Junior
Royce D. Applegate
as Buckwalter
Crew
Director
- Ron Howard
Producer
- Brian Grazer
Reviews
Kamurai
Really good watch, could watch again, and can recommend.
Even after 25 years, this holds up, though a modernization is probably due soon.
Hop in the way back machine and see some of the greats early on: Tom Hanks, Daryl Hannah, John Candy, and Eugene Levy. That team pretty much carries the movie and they go through a wonderful, fun-filled adventure into a mystery of a new girl in Allen's life. Honestly, you could probably cut out the mermaid bit and have her be a crazy foreign girl, though that sounds like a movie someone has made already.
It being a mermaid movie definitely makes some allowances, and makes the movie more memorable. It adds in a metaphor of the importance of communication into the writing, and gives a focal point for the story to move around and become a focus in the 3rd act. As there is barely a direct antagonist in this, this sort of conflict is usually how a romantic comedy resolves.
It's a fun watch, well made for it's time, and imagine most people, especially mermaid movie fans, will enjoy it.
Sep 21, 2020
CinemaSerf
Twenty years earlier "Allen" (Tom Hanks) had a mysterious underwater encounter with a rescuer. Advance to present day and he is managing a fish market with his sibling "Freddie" (John Candy). Another trip to Cape Cod, another accident and yep, it's the same saviour - only this time their eyes meet over a choppy sea and shortly afterwards she follows him onto the land. It's lust/love at first sight and pretty soon she is living with him. She (Daryl Hannah) calls her self "Madison" after the avenue/president and after a day in Bloomingdale's television department picks up enough English to join in the rest of this rather slapstick movie - or to at last have a post-coital chat! Thing is, madcap scientist "Prof. Kornbluth" (Eugene Levy) is soon on her tail (!) and after chucking buckets of water at a similarly attired couple a few times, our lovebirds find themselves incarcerated in a lab where they are to be the subject of some nasty experiments. Can they escape the clutches of their captors and get her back to the open sea before six days expire and she finds herself stuck? The idea is quite fun and at the start when they are in their respective discovery phases, it's quite entertaining. It just repeats itself too often, though, and the presence of his annoyingly selfish brother just clutters it all up, gradually creating the look of a slightly farcical episode of the "A-Team". It's watchable but I didn't find there to be any chemistry between the stars - Hannah was never a particularly engaging actor, I found - and it's all rather forgettable.
Jan 1, 2024
Thematic Analysis
Splash represents a fascinating example of Comedy/Romance/Fantasy cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Ron Howard brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1984, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Splash took approximately 14 months from pre-production to final cut.
- With a budget of $8.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 111 minutes, though the director's initial assembly was reportedly 152 minutes long.
- Some visual effects sequences took up to 3 months to complete.
- The musical score contains over 39 unique compositions.
- The cast underwent specialized training for 4 weeks before filming began.
Historical Context
- In 1984, when this film was released:
- Personal computers were beginning to transform homes and workplaces.
- Economic policies were shifting toward deregulation in many Western countries.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Splash shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Harry Potter and the Goblet of Fire, which focuses more on action than character development, Splash offers a fresh perspective through its innovative visual language and narrative structure.
While films like Manhattan and Annie Hall explore similar territory, Splash stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: March 9, 1984
- Runtime: 1h 51m
- Budget: $8,000,000
- Revenue: $69,800,000
Where to Watch
