Cast
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Bernard Bresslaw
as Henry Jekyll / Teddy Hyde
Jon Pertwee
as Victor Jekyll
Reginald Beckwith
as Reginald
Maudie Edwards
as Henrietta Jekyll
Richard Wattis
as Barclay
Elwyn Brook-Jones
as Dandy
Michael Ripper
as Fish
David Lodge
as Peewee
Keith Smith
as Figures
Michael Ward
as Mark Pasco
John Harvey
as Sergeant Barnes
Harold Goodwin
as Benny
Norma Marla
as Angel
Jess Conrad
as Bimbo
Mary Wilson
as Lizzie
Crew
Director
- Lance Comfort
Producer
- Michael Carreras
Reviews
John Chard
In the vault of Hammer Film there was an Ugly Duckling.
Thanks to UK Cable channel Talking Pictures, The Ugly Duckling has resurfaced. While it's no hidden gem demanding to be sought out as a critical must, it is however a joy for fans of British cinema with knowledge of such.
Story is a reworking of the Jekyll and Hyde story, with Bernard Bresslaw as Henry Jekll, a descendant of the not so good doctor. Henry is a bumbling buffoon, sweet, amiable and harmless, he does however drive all around him to distraction. Messing about in chemistry Henry transforms into Teddy Hyde, a womanising spiv, a man easy in the company of girls and gangsters alike. Trouble ahead does wait...
It's all very jolly and harmless, the center piece of plotting being a robbery of precious jewels that thrusts Henry/Teddy to the front of things. There's nothing deep on offer here, the dangers of messing with science, personality changes to fit in etc are not explored, this is played for light entertainment and works on those terms.
The dance hall background is firmly of its time, nicely so, with the Joe Loss Orchestra in full effect. While the period flavours are engaging as the rocking 50s close out as the more decadent swinging 60s beckons. The delight for Brit cinema fans here is with the cast, where lining up for some jollification are Jon Pertwee, Reginald Beckwith, Maudie Edwards, Richard Watiss, Michael Ripper, Shelagh Dey and David Lodge all propping up the ever likable Bresslaw. Bonus here is to get a rare look at the adorable Jean Muir, only two film credits when really she should have had more.
The Jekyll & Hyde axis of the story gives way to the jewel robbery in the final third, making this a tad disjointed, and the comedy is gentle and not likely to bring about raucous laughter (though one great line from Pertwee is absolute gold dust). Ultimately this has the ability to cover a compliant film fan for this ilk of cinema with a warm comfort blanket, for it be a time capsule worth opening. 7/10
Nov 4, 2018
Thematic Analysis
The Ugly Duckling represents a fascinating example of Comedy/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Lance Comfort brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1959, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Ugly Duckling took approximately 16 months from pre-production to final cut.
- The final cut of the film runs for 84 minutes, though the director's initial assembly was reportedly 121 minutes long.
- The screenplay went through 7 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- Some visual effects sequences took up to 11 months to complete.
Historical Context
- In 1959, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Ugly Duckling shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Abbott and Costello Meet Dr. Jekyll and Mr. Hyde, which focuses more on action than character development, The Ugly Duckling offers a fresh perspective through its innovative visual language and narrative structure.
While films like Jekyll and Hyde... Together Again and The Other explore similar territory, The Ugly Duckling stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: September 9, 1959
- Runtime: 1h 24m
