Cast
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El Santo
as Santo El Enmascarado de Plata
Fernando Casanova
as Fernando Lavalle
Ana Bertha Lepe
as Virginia
Begoña Palacios
as Dancer in club
Roberto Ramírez Garza
as as Beto 'el Boticario'
René Cardona
as Sr. Roberto de la Llata
Yolanda Ciani
as Mercedes
Augusto Benedico
as Matias
Víctor Velázquez
as
Guillermo Álvarez Bianchi
as Don Cosme
Antonio Raxel
as Freddy (henchman)
Fernando Osés
as
Enrique Couto
as
Alberto Mariscal
as
Santanón
as as Enano 'Santanón'
Crew
Director
- Federico Curiel
Reviews
Thematic Analysis
As a dramatic work, Santo vs. the King of Crime examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Federico Curiel brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1962, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Santo vs. the King of Crime took approximately 21 months from pre-production to final cut.
- The final cut of the film runs for 86 minutes, though the director's initial assembly was reportedly 145 minutes long.
- Some visual effects sequences took up to 9 months to complete.
- The costume department created over 204 unique costume pieces for the production.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1962, when this film was released:
- Counterculture movements were challenging traditional values.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Santo vs. the King of Crime shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Conspiracy Theory, which takes a more conventional approach to its subject matter, Santo vs. the King of Crime offers a fresh perspective through its innovative visual language and narrative structure.
While films like Franklyn and Sleeping with the Enemy explore similar territory, Santo vs. the King of Crime stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: November 30, 1962
- Runtime: 1h 26m
