Cast
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Lee J. Cobb
as Willy Loman
Mildred Dunnock
as Linda Loman
Stanley Adams
as Stanley
Edward Andrews
as Charley
Albert Dekker
as Ben
James Farentino
as Happy Loman
Bernie Kopell
as Howard
George Segal
as Biff Loman
Gene Wilder
as Bernard
Joan Patrick
as Miss Forsythe
Karen Steele
as Letta
June Foray
as Jenny
Marc Fiorini
as Stanley
Marge Redmond
as Woman in Hotel
Crew
Director
- Alex Segal
Writer
- Arthur Miller
Producer
- Daniel Melnick
- David Susskind
Reviews
Thematic Analysis
As a dramatic work, Death of a Salesman examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Alex Segal brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1966, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Death of a Salesman took approximately 17 months from pre-production to final cut.
- The final cut of the film runs for 100 minutes, though the director's initial assembly was reportedly 157 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 833 individual shots.
- Some visual effects sequences took up to 11 months to complete.
Historical Context
- In 1966, when this film was released:
- Counterculture movements were challenging traditional values.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Death of a Salesman shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Allegiance, which takes a more conventional approach to its subject matter, Death of a Salesman subverts genre expectations by exploring its themes with greater nuance.
While films like National Theatre Live: The Habit of Art and National Theatre Live: War Horse explore similar territory, Death of a Salesman stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: May 7, 1966
- Runtime: 1h 40m
