Cast
View All
Pedro Armendáriz
as Señor Cura
Columba Domínguez
as Remedios
Begoña Palacios
as Verania
José Luis Jiménez
as Don Cleofas
Enrique Lucero
as Arnulfo
Sergio Bustamante
as Teófilo
Aurora Clavel
as Jacinta
José Gálvez
as Marcial
Hortensia Santoveña
as Eustolia
Fanny Schiller
as Pueblerina
Ada Carrasco
as Doña Agustina
Virginia Manzano
as Enedina
Lupe Carriles
as Maestra de coro
Sadi Dupeyrón
as Amado
Pilar Souza
as Chonita
Crew
Director
- Francisco del Villar
Reviews
Thematic Analysis
El tejedor de milagros represents a fascinating example of cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Francisco del Villar brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1962, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of El tejedor de milagros took approximately 5 months from pre-production to final cut.
- The cast underwent specialized training for 8 weeks before filming began.
- The screenplay went through 5 major revisions before the final shooting script was approved.
- The film contains approximately 2225 individual shots.
Historical Context
- In 1962, when this film was released:
- The Vietnam War was becoming increasingly controversial.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While El tejedor de milagros shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Evita, which focuses more on action than character development, El tejedor de milagros subverts genre expectations by exploring its themes with greater nuance.
While films like Romeo and Juliet and Carrie explore similar territory, El tejedor de milagros stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 27, 1962
