Cast
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Wallace Ford
as Jack Kirkland / John Prescott
Finis Barton
as Diane Prescott
E. Alyn Warren
as Jay Malone, Private Investigator
Leon Ames
as Don Clayton / McDonald
Lillian Miles
as Fay Prescott, John Jr.'s Wife
William Humphrey
as Mr. Brownlee
Laura Treadwell
as Mrs. John Prescott Sr.
Johnstone White
as Mr. Joyce
Crew
Director
- Spencer Gordon Bennet
Reviews
Thematic Analysis
This high-octane Action/Crime/Comedy film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Get That Man distinguishes itself through a unique visual style and creative action choreography.
Director Spencer Gordon Bennet brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1935, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Get That Man took approximately 15 months from pre-production to final cut.
- The final cut of the film runs for 58 minutes, though the director's initial assembly was reportedly 100 minutes long.
- The screenplay went through 15 major revisions before the final shooting script was approved.
- The film contains approximately 1916 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1935, when this film was released:
- Rock and roll music was revolutionizing popular culture.
- The Cold War was intensifying, influencing global politics and culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Get That Man shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Pootie Tang, which takes a more conventional approach to its subject matter, Get That Man subverts genre expectations by exploring its themes with greater nuance.
While films like The Woodsman and D-Tox explore similar territory, Get That Man stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: July 10, 1935
- Runtime: 58m
