Cast
View All
Anthony Steffen
as Gary Hamilton
Eduardo Fajardo
as Acombar
Giulia Rubini
as Anna
José Jaspe
as Paquito
José Calvo
as Wasserhändler
Adriana Ambesi
as Rosy
Jesús Tordesillas
as Blacksmith
Antonio Cintado
as Sheriff Donovan
Claudio Biava
as Clark, Acombar Henchman
Ignazio Leone
as Jaime
Luis Gaspar
as Pedro Santamaria
Corrado Olmi
as Jonathan Sheridan
Franco De Rosa
as Jackie / Jose Acombar
Renato Pinciroli
as Counsellor
Josefina Serratosa
as Paquito's wife
Crew
Director
- Salvatore Rosso
Writer
- Fernando Morandi
- Lucio Battistrada
Reviews
Thematic Analysis
A Stranger in Paso Bravo represents a fascinating example of Western cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Salvatore Rosso brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1968, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of A Stranger in Paso Bravo took approximately 22 months from pre-production to final cut.
- The final cut of the film runs for 83 minutes, though the director's initial assembly was reportedly 121 minutes long.
- The film contains approximately 1577 individual shots.
- Some visual effects sequences took up to 5 months to complete.
- The screenplay went through 8 major revisions before the final shooting script was approved.
Historical Context
- In 1968, when this film was released:
- Counterculture movements were challenging traditional values.
- The Vietnam War was becoming increasingly controversial.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While A Stranger in Paso Bravo shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Django, which takes a more conventional approach to its subject matter, A Stranger in Paso Bravo subverts genre expectations by exploring its themes with greater nuance.
While films like My Name Is Nobody and Lucky Luke explore similar territory, A Stranger in Paso Bravo stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: March 23, 1968
- Runtime: 1h 23m
Where to Watch
