Cast
View AllDan Bucatinsky
as Eli Wyckoff
Richard Ruccolo
as Tom
Doris Roberts
as Esther
Sasha Alexander
as Jackie Samantha Gold
Adam Goldberg
as Brett Miles Sanford
Christina Ricci
as Rayna Wyckoff
Andrea Martin
as Dr. Ellen Wyckoff
Joanna Kerns
as Lydia
Lisa Kudrow
as Marie
Michael Harris
as Gary
Julie Claire
as Lizz
Chris Gann
as Stripper
Crew
Director
- Julie Davis
Writer
- Dan Bucatinsky
Producer
- Juan A. Mas
Reviews
CinemaSerf
I think you have to suspend quite a bit of reality to get anything from this rather contrived story, but there are some quite familiar faces peppering the scenes as we tell, retrospectively via two conversations, of the erratic courtship of “Eli” (writer Dan Bucatinsky) and the alcoholic hunk “Tom” (Richard Ruccolo). They are brought together by the recently hooked up “Jackie” (Sasha Alexander) and “Brent” (Adam Goldberg) but it isn’t the most auspicious of starts. Indeed, after their first date you’d have got better odds on the Danube really being blue. Circumstance and their friends don’t give up easily, though, and gradually the pair begin to get to know each other and take each other, and us, on a dirty washing exercise as we learn of their childhoods and the sources of the chips on various shoulders that they have accumulated over the years. So far, it’s all entirely procedural with dramatically created troughs so we can have the peaks, but for me the thing falls flat fairly early. Sure, there is a magnetism here and both of these actors deliver competently enough, but their romance is borderline toxic at times and I think any sane person would just have chalked it up to experience and moved on right from the get-go. Serendipity is just too involved as each episode in their relationship becomes less plausible yet more cementing of a conclusion that you just know is bound to happen. The film has a custom-made, manufactured, look to the whole thing and after a while I lost interest in whether they did or didn’t and would rather have followed the sub-plot with their newly loved-up and squabbling pals. At least the production is decent enough, but this is still quite disappointing as it uses stereotypes to poke fun at, well, stereotypes.
Mar 28, 2025
Thematic Analysis
All Over the Guy represents a fascinating example of Comedy/Romance cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Julie Davis brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2001, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of All Over the Guy took approximately 28 months from pre-production to final cut.
- The final cut of the film runs for 95 minutes, though the director's initial assembly was reportedly 147 minutes long.
- The film contains approximately 1111 individual shots.
- The cast underwent specialized training for 3 weeks before filming began.
- Some visual effects sequences took up to 10 months to complete.
Historical Context
- In 2001, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- The September 11 attacks changed global security and politics.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While All Over the Guy shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Forever Lulu, which focuses more on action than character development, All Over the Guy offers a fresh perspective through its innovative visual language and narrative structure.
While films like Alex & Emma and A Tale of Two Cities explore similar territory, All Over the Guy stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: August 10, 2001
- Runtime: 1h 35m
- Revenue: $1,051,948
Where to Watch

