Cast
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Amedeo Nazzari
as Stefano Brunot
Yvonne Sanson
as Maria Dermoz
Françoise Rosay
as La contessa Lamieri
Enrica Dyrell
as Laura Morresi
Enrico Olivieri
as Nino
Anna Maria Sandri
as Lisetta Dermoz
Mario Ferrari
as John Morresi
Aldo Nicodemi
as L'avvocato
Gianni Musy
as Dario
Gualtiero Tumiati
as Il sacerdote
Teresa Franchini
as Adele
Liliana Gerace
as Agnese
Rita Livesi
as
Giorgio Capecchi
as Il console (uncredited)
Giovanni Dolfini
as Il direttore del carcere (uncredited)
Crew
Director
- Raffaello Matarazzo
Reviews
Thematic Analysis
As a dramatic work, He Who Is Without Sin... examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Raffaello Matarazzo brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1952, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of He Who Is Without Sin... took approximately 23 months from pre-production to final cut.
- The final cut of the film runs for 97 minutes, though the director's initial assembly was reportedly 117 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 2157 individual shots.
- The screenplay went through 8 major revisions before the final shooting script was approved.
Historical Context
- In 1952, when this film was released:
- The civil rights movement was gaining momentum in the United States.
- Rock and roll music was revolutionizing popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While He Who Is Without Sin... shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Moon on the Graveyard, which takes a more conventional approach to its subject matter, He Who Is Without Sin... subverts genre expectations by exploring its themes with greater nuance.
While films like A Moon Hangs Above the Graveyard and Aisyah: Biarkan Kami Bersaudara explore similar territory, He Who Is Without Sin... stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 18, 1952
- Runtime: 1h 37m
Where to Watch
