Cast
View AllPatrick Stewart
as Captain Jean-Luc Picard
Brent Spiner
as Lt. Commander Data
Michael Dorn
as Lt. Commander Worf
Jonathan Frakes
as Commander William T. Riker
F. Murray Abraham
as Ad'har Ru'afo
Anthony Zerbe
as Vice-Adm. Dougherty
Gregg Henry
as Gallatin
Donna Murphy
as Anij
Marina Sirtis
as Counselor Deanna Troi
Gates McFadden
as Doctor Beverly Crusher
LeVar Burton
as Lt. Commander Geordi La Forge
Daniel Hugh Kelly
as Sojef
Stephanie Niznik
as Perim
Rico Bueno
as Starfleet Officer (uncredited)
Michael Welch
as Artim
Crew
Director
- Jonathan Frakes
Producer
- Patrick Stewart
- Michael Piller
- Peter Lauritson
- Rick Berman
Reviews
TheTenth
Plot : As Jean Luc Picard attends festivities onboard the Enterprise welcoming a new race to the Federation. He receives an urgent call from Admiral Dougherty about Data, that was sent on an observation mission of the Ba'Ku race. The Federation has installed there a hidden outpost and the So'Na race is there too. Data has gone out of control and reveals the federation outpost to the natives. Picard and his senior officers get on the planet to discuss with them to surrender the Federation personnel.
He is welcomed by the (extremely) peaceful Ba'Ku that are represented by Anji and Sojef, that explain the history and philosophy of their people. They have settled on this planet generations ago and have benefited from a local radiation extending their life greatly.
Picard is pushed by Dougherty to leave the planet to let the "observation" mission without interference. Picard smells deception and will have to disobey orders to defend one of the Federation's basic principles.
I know most people don't like this movie and rank it low among the Star trek movies. Of course there's not much action and fights. The new characters are either very boring or too obviously "evil".
But the main point here is to defend the "prime directive" (= not to interfere in the development of a civilization that is inferior in technology. There is not much else here than a deep analysis of what the Federation is and when it must or not intervene. So there's a light love story wit Picard and Anij, Data befriends a kid in his discovery of humanity's young age behavior.
After many movies about the Klingons, Romulans ... I found it fresh to have two (?) new races with different histories and ways of life. And having the movie centered on the "prime directive", and how a cunning race can twist it (after all, the Ba'Ku are not really "natives" of the planet and shouldn't be protected by the prime directive), and how one superior officer, if misleaded, can lead to eradication of hundreds of people.
Apr 18, 2018
Wuchak
The least of the four Next Generation films, but has its highlights
Released in 1998 and directed by Jonathan Frakes, "Star Trek: Insurrection" is the third Star Trek film featuring the Next Generation cast and ninth overall. The plot revolves around a serene alien race, the Ba'ku, whose planet offers regenerative radiation and therefore extremely long lifespans; moreover, they live in harmony with their environment and reject advanced technology. With the aid of an alien race called the Son'a, the Federation secretly (deceptively) researches the Ba'ku culture, but the Son'a intend to take the planet for themselves and others who secretly want to regenerate their bodies (i.e. drink of the 'Fountain of Youth'). The problem is that Captain Picard and the Enterprise-E crew are loyal to the Prime Directive.
The plot is good with some interesting ideas, like the paradisal planet where immortality is nigh reality and the innate desire for regeneration and eternal life. I like the new black Federation uniforms and the cast is as likable as ever. Unfortunately, something prevents the movie from soaring. It's decent and sometimes thought-provoking; it's just underwhelming with some bits falling flat. I like it but, for me, it’s the least of the four TNG films.
The film runs 103 minutes and was shot in California at Convict Lake, Mammoth Lakes Park; San Gabriel Dam, Angeles National Forest; Lake Sherwood; Bishop; and Paramount Studios, Los Angeles.
GRADE: B-
Aug 27, 2018
CinemaSerf
I just never warmed to the "Next Generation" crew and here they did little to improve that feeling. It all begins with the most annoying of them all - the android "Data" (Brent Spiner) going a bit rogue in an ostensibly peaceful, and tech-free, settlement. What's afoot? Well after a space-chase and some Gilbert and Sullivan we discover that the Federation and the smooth-skinned "Son'a" have joined forces to capitalise on some curative radiation that emanates from the planet. Thing is, by harnessing this phenomena they will render the place uninhabitable - so what to do with the locals (all 600 of them)? It seems our singing "Data" has cottoned on to this and it isn't long before "Picard" (Patrick Stewart) and the rest of his charm-free crew are en route to save the day. It picks up slightly for the last twenty minutes which at least gives us some phaser action, but otherwise it's all pretty turgid and dialogue heavy. The Captain manages a little bit of frankly rather cloying love interest with Donna Murphy's "Anij" and there is the obligatory child with his small creature too. F. Murray Abraham and Anthony Zerbe tried their best as the conspiring powers-that-be, but there is simply no jeopardy here at all. Messrs. Shatner et al had charisma - even if their stories were often just as weak, but this shower lack that on-screen presence and the (not so) subliminal pontificating just got on my nerves. At just under 1¾ hours it looks like a two-part episode from the series and no amount of Viagra is going to get this insurrection going, sorry.
Nov 19, 2022
Thematic Analysis
This high-octane Science Fiction/Action/Adventure/Thriller film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Star Trek: Insurrection distinguishes itself through a unique visual style and creative action choreography.
Director Jonathan Frakes brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1998, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Star Trek: Insurrection took approximately 24 months from pre-production to final cut.
- With a budget of $70.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 102 minutes, though the director's initial assembly was reportedly 125 minutes long.
- The cast underwent specialized training for 6 weeks before filming began.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 169 unique costume pieces for the production.
Historical Context
- In 1998, when this film was released:
- Digital technology was transforming the entertainment industry.
- Globalization was accelerating economic and cultural exchange.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Star Trek: Insurrection shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Seedling, which focuses more on action than character development, Star Trek: Insurrection offers a fresh perspective through its innovative visual language and narrative structure.
While films like DAN DA DAN: First Encounter and The Spring explore similar territory, Star Trek: Insurrection stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 11, 1998
- Runtime: 1h 42m
- Budget: $70,000,000
- Revenue: $112,587,658
Where to Watch



